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Thx for your review, VHS. I would love to get with a drummer and we can sit down a rework some of these songs with more interesting time sigs. For now, these will have to stay as demos or storyboards for skilled musicians to come in and reshape after I'm done with the vst versions, and lay...

Very nice ethereal mix. 90% there. There are some elements in the bridge that go down a bit into low-mid mud, so a hi-pass filter might clean that up. Also (for my taste), the lead guitar can come up a bit. I hear you using the Hass effect on the rhythm guitars (pan content hard left, use a...

This is the best mix yet, but now I'm hearing that the mix could have a better use of Left - Center - Right panning. On some of your synth elements, try panning them 80 to 100% left or right. Then for fullness, use the Haas effect by having that synth part "appear" on the opposite side as well...

Thx, eastern. I wanted to give some of the "voices" a bit of grit, but I will see about backing off the distortion plug-in on some of them.

Lead vocal could use a bit of mid-range EQ tweeks. Good simple "mood" song.

I get that this is supposed to be an ethereal mix for the genre, but a bit too much reverb on drums, especially cymbals. Good song to make crazy love too!

A bit mid-range heavy. Agree with above posters re: over-limited on two-bus. Quick fix might be to dip 500-800 Hz a dB or two and lift threshold on limiter -- Fun Song

Good organic recording. Maybe place a low-pass filter on the acoustic guitar around 4 or 5K for more lead vocal clarity.

Here is a metal song I put together that was inspired by the movie "The Exorcism of Emily Rose" which told the story of Annaliese Micheal, who was either possessed by six demons, or mentally ill. We Are Six (The Battle for Annaliese) - please let me know about balances

Some content in the harmony vocals and/or the synth is dipping into the bass freq area and masking the bass a bit - you could experiment with a hi-pass filter. Good song

Yea Ozone is a good tool, just make sure that your peaks aren't going into it at any more than -5 to -3 dB at the most, and just enough threshold to see your peaks loped off at -1, 2 or 3

Ok I will work on that thx

thx for your review and props.

Here is a mix of a cover of an Echo and the Bunnymen song, the Killing Moon. Please check levels.

Bald Spot - Reminiscent of MC5/Stooges/Iggy Pop era. Fun song. Bring up the harmonica solo. Distortion on tom fills

The song has no bottom end, like you hi passed everything at 300Hz or higher. You could start over by getting a good solid kick and bass foundation, then mix from there This sometimes happens to bedroom engineers who mix with a subwoofer. Play this in your car, and you will hear the lack of...

Can't accuse you of not having the vocals on top of the instruments. Maybe a better snare choice is order on the choruses, Agree with other posters re: no instrumental breaks. Could be easy enough to do - just have a few passages, sans vox.

The lead vox could ride atop the heavy string part a little bit at 4/5 into the song. 95% there

Good Organic mix. I can imagine a B3 organ on the choruses.

More presence on solos