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ya i'm taking it to a tech no doubt....just was curious on the workings of it, as well about compatibility.....any suggestions when getting new tubes and replacing old ones, as for what power tubes work with what pre-amps....or anything goes? provided it is a compatible one with the amp? any...

so aside from taking it in to a tech....what is the difference between the pre-amp tubes and the other main tubes? can you not match up certain ones? or is it ok provided that they are compatible with the amp in their own right?

What if I got a smoke machine, wouldn't I just need it, and maybe a small funnel to put the smoke back in?

Hello, I got a Randall Power Tube 1000 II (the head), and of course I got it used First off, there were some issues with the Main volume pot, that you could have it all the way off, then bring up the volume up to about 2 or maybe 3, (everything fine) anything past that, and it was just dead...

Did you manage to fix it yet? #1...if you use multiple mic's, you can end up with phase problems...IE: cancelling out your sound and eating up a lot of harmonics #2...if you are using any sort of effects/distortion pedals, make sure it is running through your amp's FX Loop, instead of going...

and as well, could connecting everything through a patch bay...significantly affect the signal, provided it is a new bay, and not something off of the bottom of the ocean? will there be any affect?

so general opinion.........worth going outboard for eqing....? especially since i'm going to have to convert back to analog to eq it, then back to digital? as well what would be a good outboard EQ to use for my application

so I guess over all everybody just agree's i'm better off to just use some eq plugs on cubase then go post processed? if so then what eq plugs should I use besides the built in SX ones

ya i basically want to do any major eqing outboard...then any mastering of the tracks (fine tuning, i may just use cubase sx's) or else just keep re-equing the track over and over till I get it right outboard... know of a EQ that would be good in my situation...for eqing guitar/drums/vox under...

I agree the artifacting does bother me a bit. Is there any way around destroying the originals by putting it through analog EQ's? and being able to put it through after the recording has been made.. It sounds like your configuration is somewhat set up like how I am planning mine. Is your signal...

after some reading up, I think I understand what the configuration is going to need....just uncertain of how to hook up the balanced line outs on the firepod to say, a patch bay then EQ then have it get back to my computer to record it with the EQing

but if the linouts are balanced...doesnt that mean it is a send/return, so if i hooked a cable going to the send/return directly to a eq that has a return send, isn't that all already done? or is a patch bay able to do the splitting of the returning and sending to different ports, then be able...

ok...your saying for me to go from the linouts, to a patch bay then to an eq...or.......hmmmm...........where would my use of the patch bay come in to play just in my attempt of wiring everything into an eq?

So from what I understand....I'd be able to record the tracks to my computer, then I can OUT the signal through cubase back out to my Firepod? then I would be able to connect an EQ, through the TRS balanced Line outs...? If this is true....do these Line outs, say going to the EQ, need to be...

can you go a little more in depth into this configuration, and as well the benefits of it? you say chaining the processing boxes, and interface, with a patch bay.....I know what a patch bay is somewhat, but what are you calling the processing boxes, and the interface basically my budget is I...

Hello, I'm laying down tracks with my band, Drums, Guitar, Bass, Vox I'm planning on getting a mixer for some eq prior to the signal getting into Cubase (through my firepod) I really don't want to do little to any eq within cubase. Some may call me dumb for those beliefs, and some have, so spare...