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I'd like to apologize. If I had known better and not posted an articulation for a question then there would've been no confusion. Sorry everybody. Thank you for posting.

No, it's me.

Just know that you can mix lyrics with a track before you get so good at it. You'll learn how vocals work and probably learn about mics and speakers too in the process. That's a must for any good pro. Being on point, you'll appreciate the accumulation of your effort, be it direct, systematic...

Thanks for the feedback. Is there anything you in mind? To make it sound spicier.

You have clear statements. Thank you. I'd think that with the development of speaker crossovers frequencies, the rule of "No stereo 200 hz and below" gained consistency. There could be a direct positive correlation there, and no clear cause.

The process is what I was looking for. Had no clue it was coming from the DJ style.

My original post was ambiguous, and needed specifics. What I've realized before was that the stereo and mono can be "states" of recording, and that you can't just set them on and off.

Do let me know what you think and be fair because I'm getting used to trapstep. :listeningmusic: https://soundcloud.com/aaron-acosta-15/manilla-in-the-trap-1

I had an idea to set up some tracks as mono and others as stereo. And because I learned that anything below 200hz shouldn't be stereo wide, I was thinking of making the bass of a song mono, the mid into stereo, and the high into stereo. And I thought I could up the scheme with different sets...

Okay.. Just trying to figure this out ahead of mastering my new song. And I didn't know you weren't supposed to master stems at different times. It just seemed like something I would want to do.

This is my favorite part of your reply. All the rest is just as useful, if not somewhat wise.:o

This is good for some philosophy type lyricism (especially at 00:59), some chase type, or some "futuresque hustle" squad.

The link is dead

On my side I've only been interested in obtaining online education. Of course nothing beats simple and straightforward and personal education. But, wanting to lay low key, I practice with some home gear while studying other topics such as Leadership, Communication, and Network+ (CompTIA Network...

It's possible that at the beginning of that Dance Flow EP, there was a tape-influenced recording/mix. Just thought I should mention.

So, there's this set of songs. And some have to have elements of quietness but others they have to be louder and more real, in your face. Would the mono and stereo settings (their feature) be my best bet for this kind of mixing goal?

With regard to stems, the groups of drums, synthy parts, and chorus pieces. I want to know how to master them separately and effectively, being new to mastering. Can anyone point me to some easy readings on the internet? (FREE) Although I'm not expecting to pay for anything, if at all possible..

I'm posting here for personal direction and to share concerns with ya'all. Are there people who say there's a right way to do it? An example of my abilities aren't available yet (as I know it would help you reply), so I just want to speak for the "design" part of marketing. Would it matter...

Good lyricism. I wonder if he practices often?

Hey it seems like you want to do good work in Music Production. Mad Props for your efforts. When listened to your beat it felt like some of the low frequencies weren't very much there. But the low dribble of bass is very much there. It just needs a raise in volume. Mixing music for a few...