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I used to have a Big Baby (I miss that guitar) that was great for being in a mix for that very reason. A slightly percussive crispness. I think using Elixers helped too. Something about that combination.

Well, if you feel the urge to send me that x32, I think I could make myself live with the overkill. ;)

That's WAY better sound than I get from MY V67G. What's your pre?

I really miss my Dano 12. :(

Can you assign it to group tracks, master, and monitor mixes?

To say that's way out of my price range would be an understatement.

Yeah, it's just to tame the volume. I don't know what babies you've been around, but nobody's sleeping through what mine put out, and the biggest amp I've got is a Blues Jr. I guess I should use a power soak of some kind first, but that almost defeats the purpose, with no speaker break up. But...

OK, so I've got a couple of Randall Iso-Cabs, each with a 12, but different speakers. I would like to build essentially an iso-cab, or even a booth, to put each one of them in. Double isolation, if you will. I'd rather they be cabs to take up the least amount of room possible, and I could have...

You might also look into a Sennheiser 421. Or a 441 if you've got the cash. And weirdly, a guy told me once that the Audix i5 makes a pretty good substitute for an SM-7b, and a whole lot cheaper.

Now, there is a guy who used to hang here that said the 3000B was just about his favorite mic ever. I've always thought I should get one of those to see. He said it was one of those Swiss Army-type mics, good for all kinds of stuff.

Well, I like mine. And I've never really been a fan of the 58. I'd actually rather sing into a 57 with it's factory foam windscreen. Somehow I know better how to 'work it'. Habit, I guess.

I need to find one. It's for a Behri tube screamer clone, so if it's not cheap, it won't be worth it. Heck, it probably won't be worth the effort, but I won't know until I fix it.

What does it take that's so specific?

COOL! Fair warning, you might have to help me a little. That one looks a little less intuitive.

I'm assuming mastering has changed in the era of mp3s through earbuds. Used to be, there were basically 2 masters, one for radio (assuming the car) and one for the home. Now everything's either mp3, usually through earbuds, or cable TV, possibly through a soundbar. So, how has this changed...

Do you remember what the latest OS was that it would work on? Pretty sure the one I'm wanting something for is an XP.

It's probably got both.

Thanks. While both of those look like they could be useful, I'd really like more of a full-size mixer-type thing. I would think it would be frustrating to have to constantly reassign the single fader on the Presonus to different tracks every time you wanted to tweak something. I don't handle...

Thanks, man. I'm not too worried about them not feeling like real drums because, like I said, I'm not a drummer. I've played around on friends' drums before, but not enough to get used to the feel (and it's been a LONG time ago). Room sound is REALLY important to me, though. But I'm afraid if I...

So is that you on bass?