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yeah...couldn't tell you what else it is. I haven't personally worked with vegas before. But I think the other fellas are on the track to helping you out.

thats what it comes down to in an industry such as this one ;)

man...thats odd to me. You got hyper threading on?

Well hardcore to me would be trying to record a song with a nagging girlfriend or wife at your side. Even more if you got the inlaws watching you, too. In fact, I think the inlaws factor is like an automatic 50 million hardcore point increase. Enough said....50 thousand dollar reward to the...

obviously the lesson for today is "Recording a great song is like baking a great cake. It takes pride, joy and a great ear." and not to mention flour, eggs, water, and sugar. :D

good advice.... I hear that from the people around here in florida who work with Bob Katz and he advises the same thing. People at Phat Planet here especially seem to have this relationship with him. As to the result I have no knowledge, simply because I haven't cared to try it YET. But it'll...

I need a beer for this one.

:rolleyes:

I wonder what everyone's obession with triggers is? :cool:

the ron jeremy of recording would have you end up on a reality show doing stunts for peanuts. :p

Don't tempt me!

shut off "page filing" for the audio hard drives. On your windows "system" virtual memory settings in the control panel. How much ram?

Oh god...at 99 dollars for a full CD. Dude, don't waste your time. Trust John and Bruce. Or, you can tell these people that you have a 30 song "cd" and see what they tell you. then you simply tell them, "but it says 99 for a FULL CD" right? Not only a fake but a business moron too.

yeah, you need an entirely new approach to this: The only thing that sounded decent was the kick drum. I'll go down the list of problems and then a list on how to track and mix this the right way: -Snare: way too much crack, very uncomfortable to listen to. The snare is either a piccolo or...

read this: http://www.soundonsound.com/sos/Aug02/articles/multiband.asp

you have to watch how you label those. "Master" is a term used for the absolute final copy before printing. The mastering engineer will be the one to give you the "master". He'll probably ask you to send it in 24-bit format and a specified sample rate. You could ask him for "before and after"...

well you asked an incomplete question: consider your acoustics, too. Without that you're wasting money. Depending on your money: Mackie HR824 are standard studio speakers. Wide sweet spot, good margin of error, etc. However, I personally hate them for that reason and others. Genelec...

but I gotta admit, that's wicked hardcore.

and the guy that wraps his amps in tin foil and hits record? the guy that has someone else swing the mic in front of the amp and hits record? the guy that has the dog hold the mic in it's mouth in front of the amp and hits record? the guy that takes 24 mics to record 12 daisy chained guitar...

well I think one of the most over looked things in recording is the cue system (how you let the artist hear themselves). Mostly, if not always, you're obviously going to be using head phones for tracking. I've heard of n-ear monitors for tracking, but that to me is not an option. I've learned...