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Not the same capsule. Never used a 4040 so I can't say about a sonic comparisson but they are def. different mics. http://www.audio-technica.com/cms//eb7732ab91615cca/index.html

I got my 4050 used from a gearslutz.com member for a little bit ($50) more than a new 4040. Excellent mic BTW.

I actually didn't look at what forum it was in when I started posting in here. I just saw it on "New Posts" and since I use Audition I decided to check it out. And please don't think I am saying ProTools and Macs are the wrong choice for everyone. It's a personal style and workflow issue more...

you steal that from Ali G??

So how do you know what equipment to use to make music? Do you just blindly pick stuff that "everyone" else uses because someone trying to sell you something said so or do you research it? It's like any other gear purchase... If you don't do the research don't be suprised if you get burned. If...

You pay a very large premium ($$$$) for that too. The information is out there as to what works with what. Do a small amount of research when buying a computer and DAW and you can have similar if not better functionality for a fraction of the cost of a Mac/ProTools setup. Then buy an audiophile...

Dat machines blow goats. More of a pain than an asset. Just run it back into your interface if you do this.

first part I agree with. I may not like ProTools but you gotta be able to get by with it. Second part not true at all. You could easily record and mix the exact same tracks the exact same ways in either and have an identical product. (assuming you used the same plug-ins and settings)

if the carpet isn't enough venture into duct tape!

such as???? I think audition has THE best wave editor of any DAW period.

That is just my opinion of course. The ampeg have better build quality though. I liked that the crate has the front port. If you aren't playing with a PA it has the extra low end that the ampeg doesn't I used to actually use both! a BX100 or Ampeg BA115 with a Hartke 1410. cut the high on the...

mixtapes aren't offical record company releases. All of the other stuff is true but to be most technical if a shitty mixtape quality CD was realeased by a label it still would be an album.

in a nutshell... Audition doesn't do MIDI. It is by far NOT the standard and somewhat of a rare bird to find other's in audio using. I personally love it. But the pro audio world lives on protools. If you don't need midi stick with audition. It's less demanding on the computer and IMO is...

Ampeg's small combo's never impressed me. Always seemed underpowered for Rock & Roll. Not a fan of their rear port. The fenders had shitty build quality. If he's really serious he could save a little bit more and get a seperate head and cab. I'd try to get at least 200 watts either way. And...

I like the Greco's of that era. Great craftsmanship you can still get at a good price. Pretty spot on lawsuit models...

none that I know of that aren't proprietary but I would stress the "that I know of" part. So I can't tell you of any direct replacement that would be cheaper but there's some competition in the Hardware DSP processor game. Waves, Duende, Powercore...

Yes... ;)

IMO...fuck painting it. Throw three good Gibson pickups in it. Wire it up and slap a pickguard on there(if you want). I think it would look better than a cheap paint job (which is what it would be unless you and this guy are so tight that he wants to give you a $500-1K paint job for basiclly...

and my hands down alltime favorite... "FUCK THE POLICE"

"I'm known well, Like a coke scale my name hold weight" - AZ Royal Salute