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you have to insert them as (FX) in the multitrack to use them in real time. I do it all the time...:rolleyes:

Thought about that but he said it happened on more than one occasion with different people.

I think the artists aren't the problem. Dynamics don't have much to do with a "honkey" midrange and a lack of clarity. Compression and EQ would help what he has sit better in the mix though. I was just going for the problems as stated.

btw... if you want to hear a 4050>tubepre sound that REALLY sounds like a telephone check out the first song "vicious." Recorded from county on speakerphone.

I'm gonna say it's about 1/3 of the problem. It's not that great of a unit if you push it too hard. Keep the "drive" the whole way down and use as little gain as possible to get a good level. Sounds like the bigger problem is that you need a "treated vocal booth" This can mean anyting from a...

AT4050 or MD421 or SM58 or Marshall V67m (depending)> Soudcraft Ghost> Aardvark Q10> Audition 1.5... Hopin to hook up a SM7 and a Sebatron VMP-4000e sometime soon.

I use a 4050 regularly to record rap vocals and have never had this problem... Gain staging is a good point but if the rapper is "too loud" try using the pad on the mic. Likewise make sure the bass cut isn't turned on. Also you might want to consider using a little bit of eq and compression when...

I have a ghost and was thinking about a similar setup with an HD24XR or maybe a RADAR II. Do you have outboard effects for monitoring? that's the only thing I was woried about as far as the clients perspective.

I really like the idea of control surface integration, ASIO and some of the other "standards" but I can get by pretty well since I have a mixing board and more or less use it like a tape machine.

I personally think it's been downhill since 1.5... which I still use. I'll have to check it out to see I supose.

And how does dowloading a piece of data resrict their right to reproduce it perform it or make derivative works there of? No one else is producing it, no one else is trying to modify it. I bet you believe the price of oil is just a product of the market and nothing more too... Don't believe...

You can still repent and all will be forgiven...:D

Ok... I'll admit that this guitar is ugly as shit and I would never buy one.. BUT!!! I feel the same way about the flying V. Who really cares? I'm sure it sounds like a Gibson with all the same hardware and such. You guys are just a bunch of whiney bitches. If they can make an extra buck...

I can't agree with this in any way. Flat frequency response DOES NOT equal good sound like that. Use your ears... They are what the music is about. If your mixes have too little high end in them everywhere but in your monitors then you need to adjust your monitors... But make sure you play your...

The smiley at the end makes it extra hardcore...:)

I just think this is funny though... You keep saying that piracy inhibits developement but the most restrictive pain in the ass software there is happens to also be the hardest to pirate. I don't think that is an accident. Just food for thought though. I've been in this battle before and don't...

This is hip hop... you steal them where ever you can. Hear something you like... sample it... chop it... lay it in your sequencer.

Sounds like not enough bass in your monitors when you mix it. Also compression and EQ go a long way on a bass line.

I like your arrangements but if it were me and I were you I'd be looking for some better drum samples. Pretty good though.

I second this. Unless you have about $1k and some time to kill getting your recording chops I'd get someone else to do this first for you. You probablly won't be able to get something you like for a little bit. It can be a bit of a steep learning curve if you are just starting out. But if you...