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higher-quality mic stands make a difference too, if you have the ears for it ????????

Boosting 6dB is often a maximum. If you can't make things sound good and you need to boost more than 6db your doing something wrong. Mic positioning is the best eq ! Try to cut rather than boost. And don't eq something just because you "have a spare eq band" Work with you ears, not your eyes...

Thanks! Well i bought the N version and it sounds pretty cool on guitar cabs ! Not too bad for $30

What's the difference between the m69n and the m69tg ? Only difference that I seem to find is that the TG has less handling noise ... Is this the ONLY difference ?? I can get both at a local second hand shop but the difference in price is significant. The m69N costs $30, the ...TG costs $125...

maybe because the transducers respond differently depending on the frequency ? Palm muting has much bottom and I quess this can cause the transducers to react differently. Maybe post a sound clip or so cause I think it's all kinda weird ? It's definatly nothing you can help with a noise gate...

??? What are you trying to achieve ????

Just see it as a sort of box that simulates a microphone output. Then connect it, just like a mic, to the preamp. A DI box wants to see a high output impedance device on its inputs and converts it to a low output impedance and balances the unbalanced signal. -> so you get pretty much what a mic...

how about mxl 603 or studio projects b1 ?

In which situation will you be using this eq mostly (studio/live) ?

A mic preamp will amplify the "weak" signal coming from the mic so that it's "strong" enough to be recorded/converted/processed/whatever. There's a function on this forum called "search". You'll find plenty of info regarding preamps if you look a little harder. Greets btw i've heard great...

A few days ago I bought a cheapo "echo talk" microphone toy. (you know the big "microphone" toy that sounds like it has a reverb in it) I thought I could experiment with it using it as a "reverb unit". I taped one ear of a sennheiser headset on the back side and put an mxl v69m in front of it...

maybe this a stupid question but ... do you also have the rest of the signal chain in mind ? Your sound wont be any better than the weakest element in your signal chain. sending a tlm 103 trough a behringer micpre and soundblaster soundcard will sound worse than a 200$ mike trough a decent...

Use your two hands to simultaneously press both buttons ? Try to be a little more specific ... eg. which multitrack recorders are you using ?

are you going to use those headphones for mixing too ?

I think he's being ironic ...

Wait a minute ... this smells like... damn ... what is it ? I recognise this smell ... RIGHT ! This smells like SPAM !!! Are you working for jimi hendrix ? or are you just trying to get a lot of antention. why don't you put all this jimihendrix praising in one compact topic ?

sm57's don't realy have a reputation of great acoustic guitar mics but sometimes they might work. But they're great allround mics and sound at least "ok" on everything. They can sound pretty good on guitar amps and vocals. They're great for close micing drums but not as overheads. If you're...

Di'ing mostly works ok, but micing allways adds "something extra" (the sound of the amp through the speakers in a room offcourse) that you can't get with a DI If the bass has a dominant place in the mix I tend to mic it. If it's merely low freq's without hi-mids I'd go with a DI Why don't you...

a few tips for the 4x12 cab: Decrease the gain on your amp ! Too much gain mostly means less powerfull and muddy sound when recording. And: try all four speakers. One could be better than the other 3 and distance to the floor (and walls) is also important. greets

idd make your own ! Cables are the most cost effective diy products(well allmost) Get yourself 150 feet bulk cable and 10 + 10 neutrick xlr's and go solder. Thats 10 15feet xlr cable for 3/4 the price. You can even customize lenghts !!!!!! (i'm getting to excited am i ?) probeer misschien...