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it's an md21 dynamic omni mic. I think Sennheiser still makes them. You could use it for speech or as a room mic. Thomas

i own a multiface and i absolutly love it, it's rock solid and has great converters. A couple of friends (who are on pc) have owned a motu 828mkII but have always complained about stability and crackling knobs. In the end one friend couldn't even get his pc to recognize his 828mkII after a fresh...

i'm just quoting myself from the other trhead: " The MD 421 for sure. the md421 has a nicer frequency response(at least imo) , better off-axis response, a variable low-cut, nicer lo end..... allround a much better mic.... then again it is a more expensive mic.... "

The MD 421 for sure. the md421 has a nicer frequency response(at least imo) , better off-axis response, a variable low-cut, nicer lo end..... allround a much better mic.... then again it is a more expensive mic....

ok my bad i thought i had an m7 capsule.... here in holland the m930 is cheaper than a tlm103.

i really like my Penta, It has a very nice clean pre and the compressor is very good and transparant when used moderately. i never really liked D.I.-ing bass but through the penta it sounds great and very usable. I have never heard the Tampa though....

no one mentioned the Microtech gefell m930. this mic is almost identical to the tlm103 and is cheaper. I have never used the tlm103 but i have used the m930 and i absolutly loved it. It uses the original neumann m7 capsule made precisely how georg neumann specified. Unlike the neumanns of today...

Sorry rokket, i read too quickly..... Re-amping something afterwards with more than one mic isn't any different than doing it right away....... i personally never re-amp. That's because i don't own a re-amp :) . I like sorting things out at the source. I find this saves a lot of time and the...

if you're going to use a d.i. and a mic, at least try to flip the phase of one of the tracks to see if it sounds better , because the d.i.'s signal will arrive a lot sooner at your recorder than your mic's. I find that if i record something with more than one mic or a d.i. and a mic(or two) ...

i just recorded a really loud Speed-rock band. The guitar player played a Koch 4x12 tube amp and i splitted the guitar signal and put it through my own Crate Vintage club 2x12 tube amp. i miced both amps up close with a dynamic and a condenser. resp the koch with a sm57 and a at4033 and the...

what a lot of people don't realise is that panning with amplitude panning (i.e. the pan pot on your mixer) isn't the only way you can pan things. You can also pan stuff by using very small delays. That way the sound from one speaker will arrive a little bit later than the other thus creating a...

if you can use a pc with a vst compliant sequencer you could use Sir (super impulse reverb-free convolution reverb) with loads of free impulse responses as found on the internet. Also if you got your reverb chamber set up you might wanna capture some impulse responses by firing a starter pistol...

added: beyer m-201, sennheiser md-441, pair of behringer ecm8000's and an audio-technica 4033a.

uh! Triple Post.

Doh! Double post.

here's an idea for ya, maye record using both mics! then when you get to mix down, decide if you like the one or the other better in the context of the mix. some things might sound great on their own but like crap when other things are added.

i own a 4033a , and like the 4033cl it also has a capacitor diaphragm like the 4033cl. unlike the 4033 which has a back-electret element. As far as my investigations go i can say that the 4033a is the same mic as the 4033cl just a different name. Judging from the two specifications sheets i can...

also a very good link http://members.aol.com/mihartkopf/index.htm and this link goes to an applet in which you can look at the localization charactheristics of various mic techniques, VERY nice http://www.hauptmikrofon.de/ima2-folder/ImageAssistant2.html

Hello, you can control the parameters of cubase with the BCF using generic remote altough it doesn't work very ergonomicly (uhh spell check?) , However i've heard some VERY good things about using the Mackie Control emulation of the BCF with the Mackie Control Template in Cubase SX and Nuendo...

here's a link that'll show you how to calculate precisely what values you;ll need for a properly working mic pad. http://www.epanorama.net/wwwboard/messages/5806.html thomas