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This is called synaesthesia, this might help you out: http://en.wikipedia.org/wiki/Synaesthesia

Here is my situation. I have a computer with an m-audio audiophile 2496 soundcard, with RCA ins. I also have a set of very crappy computer speakers. So, what I want now is to upgrade my speakers to something cheap, under 100$, and nice. They don't nessecarily have to be perfect monitors or...

Ok, yes it is electric. And the guitar tech didnt touch the pickups, so that is quite possible, as he didnt do anythign that fixed it, which I thought was strange. Um, the only issue I see is that the b and e strings work fine, and its really ONLY the g that doesn't work. Also, how would I go...

If it would help I could put up a recording of how it sounds. If its nessecary.

Alright, so my g string has a lot of nasty overtones and weirdness. I guess that means the intonation is off. I can't get it to sound right, I can't get it quite in tune, ever, its very frustrating. Its not buzzing on a fret, I don't believe, as I have checked. I think its an intonation issue...

I am looking for a loop pedal to basically do some live stuff with, nothing too serious, just some fun stuff. I want to basically have a keyboard, guitar, and microphone, and build full songs live, alone, with the loop pedal. I have seen other players do this and it was wonderful, I want to give...

I feel like I need one for my sm57, when I sing into it or play acoustic into it. I get a lot of pops and stuff. What about a foam covering?

Another inexpensive option are the Sony MDR V6 or MDR V7506 (Both the same, just the 7506 are newer, dont confuse with the 600, which are bad). These are cheap, small (relatively), seal sound farily well, quite comfortable, quite flat EQ wise. Overall good choice I would say.

I think the guitars need wayyy less low end and a little more high end, to cut through better and get rid of the muddyness. I do like the tune though.

This is kind of like asking do you like happy up beat songs better or slow dramatic songs? Everyone likes both! They are just different! Having said that I chose slow and dramatic, Im thinking of Gilmour, but I also really enjoy some nice upbeat stuff too.

I too, would like a link or something to a an introduction to compression.

Ok yeah that is a good point actually, I guess if I can find the 30 for a good price that is just 20 or 30 bucks more than the 15, I will go for it.

Haha I suppose that is true, but I think someone who knows a bit more than me can help me make a better decision based on my needs.

So do you think it is really a big step up to the 30? It seems to me at the moment not to be, But Im not sure?

Um, ok, well now after a few days it works just perfectly, but for a couple days it didnt work at all even at low volumes, it woudl work for like 3 seconds and then start fuzzing and die out. Its some little marshall amp, not sure which. A little marshall practice amp, and it is actually my...

I have a little 15 watt amp and was jamming the other day with some friends, with drums and stuff, so I guess I turned it up somewhat loud, but not even to max, and it started to make some fuzzy noises and kind of give out. Is this really bad? Its not an important amp or anything, just...

This is my favorite of the ones you have posted, but I dont really know what I am talking about.

I really do like your voice, it is very nice and mellow, which I think is good in this case, just yeah work on the delivery as you said and it'll be really sick.

Im a fan generally, but possibly the mc could work on his flow.

I think you should just change them whenever they are feeling and sounding dull. I just changed mine after about 4 months, which I think was too long, and damn they sound and feel so wonderful. I need to start changing them more often. I think before that I hadnt changed them for even longer.