i don't know what 'stop the device' means. i only use it in reason and a VST version of Native Insturments Pro 53. the reason i turn the controller off is because i don't know if it's ok to leave it on all the time.
i just got reason and a new controller (evolution MK 249 c). i have two newbie questions. i'm brand new to midi, but i've been recording audio for a little while.
1) when i turn the controller off and then back on, the programs can't find it (they say it may be being used by another...
you can moniter exactly what is being recorded as well as exactly what has been recorded. all effects and edits will also be played back. you can record 18 tracks at a time and listen to all 32 (the digi 001 max.) tracks as well - and all the midi that may have been used.
i don't think the harddrive speed will make a huge difference for those programs. i usually put the progarams on the smaller drive, and the documents on the larger one. the programs won't grow as much as a document will.
is this a trick question. the first one i know about was the one roger moog built and used for the soundtrack to a clockwork orange. it was supposed to sound like a robot orchestra from the future, not a real orchestra...
anyway, i've played through a brand new POD rack, the fender amp...
the green bars and graphs on media player work ok for me. they're not too detailed, and who knows how acurate they are. other than that i guess this post is sorta worthless.
i got one for $119 about three weeks ago. i didn't even haggle. it was the posted price on the unit at GC in Brea CA. if you think i'm crazy just call pro audio and they'll tell you the truth about the DMP 3.
i have used the voicemaster pro, and i have an RNP and i think the RNP is good for a lot more things than the voicemaster. the RNP can does great for drum overheads, vocals, acoustic guitar. decent as a bass DI, mic-ed electric guitars and synths. the voicemaster is awesome for vocals and ok...
i've said it before, i wouldn't have any problem recording an entire song through my RNP, my DMP3 on the other hand will end up sounding muddy and some detail will be lost. but, ther have been individaul tracks that i liked the dmp3 better. unless my ears are blown out, i don't think that is...
yeah, i read that article before, and it did me no good at all. i tried all the techniques listed there and none of them sounded good to me. best place to start stereo x/y. eliminates most objectionable pick click, and provides great tone. [take that with a whole bunch of grains of salt].
in some situations i like to use the DMP3 for the vocals, other times it sounds good on acoustic guitar. typically the only thing i think i like it better than the RNP for is overheads on drums. the RNP sounds really clean, but the DMP3 is a little muddier which i like for the overheads, it...
i own the NT5's and i've used the MXL 603's. for my taste i prefer teh NT5's. they sound great as drum overheads, as an x/y pair for acoustic guitar. that's about all i use them for, but they sound great. what you hear is basically what you get from them. if you have a crappy drum kit or...
i would have no problem tracking a whole song through an RNP. it stacks up tracks really well. the dmp-3 on the other hand will cause some problems if it's used for more than 6-8 tracks in a song - from my experience. that being said, it is an awesome value. if you can't afford an RNP get...
i know it costs to get good stuff, but i've been really happy with a moderate set-up. i do have some nice gear, but i could get by with just my RNP/RNC and a good vocal mic and two good overheads. the rest is nice for getting specific sounds. i think almost anything could be recorded with...