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Yeah, Cubase's de-esser is really not the best out there. It's very limited, and doesn't work as well as it should.

The one thing that you get with Cubase 5 (not sure if it's in the Studio version) is the compressor which is VST3 now and most importantly allows proper sidechaining. If you don't care for sidechaining, then I'd say the cubase built-in plugs are pretty basic. Although Reverence convolution...

:laughings: No :mad: You can use a bass as a bass, or get more creative and figure out ways to coerse more interesting soundscapes out of it. You can use SpaceEcho if you wish :D

It's all good. Just don't put on a Batman suit and jump off of tall buildings :D

See, lo-fi to me is like torn jeans. Back in the 80's we just wore them out and kept wearing them even after they tore, cuz they kinda looked cool. Now it's a fad and you can buy designer jeans that are torn in pretty patterns. To me, kinda misses the point.

That's only because Gergles secretly wishes he could play keyboards.

Of all keyboard instruments harpsichord is by far my favorite both to play and to listen to. Although I find synths to be by far the most expressive, just by the fact of the sheer vastness of different types of sound you can create.

:laughings: Is that thing turbocharged? :D

Try it when performing live ;)

Acoustic drums are cool and have their place. Why are you so angry? :confused:

Except when you don't want realistic sounds. There is a reason why things such as Roland's TR-808 and TR-909 have attained cult status. Also, try having reverse hits with acoustic drums :D

I dare you all to make music with no drums and no geetars for a week.

This is the reason you're getting that flanging sound. Try actually doing double takes. With synth sounds this is not going to work, especially with digital synths (even VA), however with vocals and guitars, this is the best way to go.

Something tells me this AcousticsWizard is an alias.

Oh boy... I see a storm brewing followed by a tsunami. :D

They have. http://www.museresearch.com/receptor2.php http://mixonline.com/mag/audio_manifold_labs_plugzilla/ http://www.smproaudio.com/produkte/v-machines.html

Yes. But it's easy to have DSP intensive code such as good quality reverbs running on dedicated DSP processors, where as on a generic CPU you hare to compromise because even with powerful CPUs, they still have to deal with running all kinds of other things. So in the end you end up with a code...

:laughings: yet another food reference, eh? :laughings:

Unless you don't use mics. In which case, I'd say the first thing to get that would OTB would be a nice hardware reverb unit. I still find software reverb lacking... although haven't heard the new Lexicon jobbie that costs over $1000, but at that cost, it better deliver!

Gonna repost from the other thread, with some additions. Considering I am firmly in electronica, I don't use bass guitar or guitars, and my "drums" are either synthesized or sampled, sooo.... For me it depends on what style of stuff I'm doing. If it's Drum and Bass, it's usually the Subbass...