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How ? I tried to contact them no luck, and other people on their forums said they couldn't authorize old NI programs either.

Thanks, That sounds about right.

I had a version of Absythn 5 which I can no longer activate. (Thank you Native Instruments) but I just want to be able to make an old school loop like The WHO "Wont Get Fooled Again" Absythn had some settings where you could hold down one note on the keyboard and it would play a sequenced...

I found the intro to be a bit too long, otherwise I thought it sounded good. The bass is hard for me to give an opinion on because the mix is kinda soft so it doesn't crank my headphones in a way I can tell, but my guess is that its a bit light in the deep sub bass. There may be a bit of a honk...

That was a great TED x talk really enjoyed it. Thought I'd throw this in: YouTube

#2, overall.

and there you go, (put it on 10 and use a power soak) I personally cant stand over done pre-amp distortion. Take an old Fender Tweed, (with no master volume) and crank it up. That's a great a tone. I realize metal guys don't really choose those boutique type setups as far as I know, but...

Absolutely. Thanks

I guess I meant LUFS because as soon as I hit my mix with any master limiting, the LUFS goes to around -10, which draws a penalty.

Cool, that's right on. They say to shoot for an even score on YouTube.

Anyone use this website? I've been playing around with it. To fall within the guidelines set by this website they seem to want pretty low non-compressed Masters. Loudness Penalty: Analyzer

My understanding is that EQing was not working for the OP and that the OP was asking for alternatives or other ways in which he could make the singer sound deeper. To which I offered three ways.

Well, if we're talking pitch then just learn to transpose down to a lower key: if the song is in the key of A try G# then G. What I really think your talking about is his technique, a lot of singers hold pitch by squeezing their vocal chords and pushing out a nasally tone. (Myself included)...

Make sure there's absolutely nothing else down there adding volume. I know you said you know how to shelf everything but you'd be surprised at how another instrument can creep down into the sub zone. There's a lot of things that can cause the difference in your track and their track. From the...

Thanks, all good information.

I know a lot guys like to use compression on their drum buss i.e. SSL etc. In your experience do you also compress the individual drums? In particular the Kick and Snare ? I'm thinking that becomes a lot of compression by the time you make it to the Master. If you want to share some of your...

That song was recorded with a BK Butler tube driver and Echoplex through a Marshall 100 watt. What I hear on that track are the first two things most importantly. I really think any 1watt tube amp will do or an amp sim. I think the Marshall 100 is least of that guitar sound.

I know years ago Steinberg recommended using Intel processors for Windows based machines. Does anyone know if that's still true ? Anyone have any issues either way ? I'm currently running a Intel Quad core but wanna upgrade to an eight core, I'm thinking i7. Which are pretty reasonable to buy...

I just got back in to recording after a long lay off, so I started off doing a cover tune with a VIDEO !

Making two guitars sound different is also in the tuning. If you re-tune the same guitar it will be slightly off tuning from the other track, use a different pickup and amp setting and it will sound like a different guitar player. I personally use different tunings altogether like the Stones...