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This doesn't sound like a mic problem. More like a sympathetic resonance from either guitar, amp or both.

Right. I was thinking about the 315 bidirectional mic. I have a 330 but don't use it all that much.

My guess is that the ribbon isn't up to snuff anymore. They can sag or get stretched out with age or from too much direct sound pressure. It doesn't take all that much to damage a longish ribbon like that mic uses. That being said, try turning the mic a few degrees so that the sound doesn't...

My 1st choice would be a good ribbon mic such as an RCA 44, 77, or Beyerdynamic 160.

Given the choice, I'll use a console.

The headphone volume pot controls the output of the headphone out jack on the right front panel of the mixer. The source for that output is the Bass/submix switch next to the volume pot.

."Homemade With Teac." That's me on the cover.

You're probably thinking of "The Multitrack Primer," written by my friend and producer, Dick Rosmini.

The simplest thing to do would be to leave a jumper in full time until you need to insert a device. The signal isn't going to care.

Before tearing into it, try burnishing the contacts with a trs plug. I need to do this at times on my console.

I was involved with TASCAM for a number of years back then and am very well versed in the history. The reason some features are added or left out a particular piece of gear is a matter of meeting a price point. Yes, the M-35 has individual submix faders and a master. It is also fully modular...

The # of knobs & faders is not necessarily an indication of fuller features. In this instance, the M-30 has 8 inputs vs the 106's 6. Furthermore, 6 of the 30's mic ins have transformers for low-impedance mics while there are none on the 106. The single master fader on the 30 makes for easier...

The M-30 has a single fader controlling all 4 submaster outputs. The `106 has individual faders for each submaster out.

The 512 should not behave that way. Something is either wrong with it or the way you are using it.

I don't understand the purpose of using 1 device's headphone out into a console at all. That being said, bringing a line level signal into a channel receive drops the signal directly onto the channel fader, thereby bypassing the entire front-end circuitry. I had a Tascam Model 15 board that...

I'm thinking you need to understand the gear you have now. Your mics should be connected to the mic ins of your Soundcraft before passing the signal on to any other device.

Dynamic mics do need a preamp. What they don't need is phantom power.

Thanks! Glad you enjoyed it.

Come Back Baby

It means the direct outs are active regardless of the switch position.