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https://www.dropbox.com/s/6clp0qjedeihmop/LPC_Explorer_Full_Album.mp3?dl=0 And in UHQ: https://www.dropbox.com/s/5qbmwa67u0uusvs/LPC%204th%20Album%20-%20Final.wav?dl=0 So, this is what LPC has been doing for the past couple of years. The songs were written to flow one to another, and we...

If three sounds good..... :D

Hi Andrew - Don't sweat it - you learned a great deal in that session. I think it's a really good idea, by the way. You messed up only because you didn't audition the mic placement before the session. Mono recording setups are no joke. Some really great ensemble performances have been...

I'd say a good room, pair of ribbon mics, a compressor, and some quality reverb. There are some good threads on the board about miking acoustics but here's a quick tip: The sounds come from every part of the guitar. Don't mic the sound hole. Point an cardioid xy pair at your 12th fret, or...

It depends. If it's a string pad or a synth arpeggio or something, sure. If it is something that has enough character that a listener can say "I've heard that before" then no. Drums, guitars, bass, vocals? Never. But you never know when you'll fuck something up and have to grab a piece of...

Dude was hilarious. Search for his name in the MP3 clinic, I think, and look for the multi-page train wreck. Gosh, I almost miss him.

It isn't the subject that makes a lyric good or bad. It is the literary devices and wit leveraged to present a subject that make a lyric good or bad.

So what? You have ideas to improve a song while you are recording it. You have the capability to incorporate those ideas, or at least audition them. As a producer, don't you want to do that? How will you know if your intuition is any good if you don't try? Well, remember that when you...

I'm not a moderator, but I am interested and would like to participate.

All I have is slut oil. :(

Yes. You are looking for a stereo tremolo. You want to pan it hard left and right, and tempo synched. Depending on how you play, that should give you the desired effect. However, if you don't want it locked at a particular tempo you'll have to do it the hard way. A manual workaround would...

You should buy a new system, especially if you have used this thing for years. You are right to be hesitant. Were I you, I would order something and plan to test it well ahead of any company meeting. "I work in IT" and "I got bad advice at HR.com" don't help when the COB is trying to give a...

Any professional recording software you buy is going to have a learning curve and sufficient capability for you. Don't let the fact that there are a thousand things you in the UI can do distract you from the fact that there are probably only five or six things you really have to know how to...

lolwut

It is a workhorse for live performance. It is far from an ideal recording microphone.

Thanks for the listens - I appreciate it. I am trying hard to fix the problems identified. C

I was on the page and listened to the raw vocals. Pitch isn't your problem. You are trying to sing metal using your inside voice, which is very quiet and has a nasal quality. You have got to find your chest voice and push a lot more air. It will be like night and day. You can sing and...

Listened to rough 2. It's better. The SM58 is part of the challenge here, if your system lacks a lot of gain. Let's go through the whole signal chain. SM58 into a what? It's all mids.

It is a great composition. I like the lyrics, thanks for posting them. The harmony/main vocal lines are well balanced. The pitchiness, such as it is, is just part of the scene and I can totally live with it. This is my favorite rock tempo, too. Nice lead. Who's playing what?

I came.