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you mean that thin booklet that shows me how to do everything and answers all my questions is important? that maybe I should read it? God forbid. :rolleyes: :D:laughings

haha AYYYY 2/2! I get the gist, I just need to read up on it. Thanks brother!

I hope you bought it new, because you should call up tech support. just to get it straight though...(for everyone else) 1. You are powering the peavey studio pro m1 mic through phantom power supplied from your Fostex MR-8. 2. You are trying to interface the Fostex MR-8 to your computer...

I believe that you dither on your final bounce of your mix

haha you're telling me. :o

hahaha man, I work at a music store (in the recording dpt.)...and all I hear is these little kids saying "yooo....lemme get at dat Protools"....and all I can think is wtf? you just got out of the crib like 2 minutes ago and you want to learn Protools? Why not get audacity and learn the basics...

I believe, and correct me if i'm wrong, that dithering should only be done when converting from 24-bit to 16 bit, (as stated earlier). The reason for this is when you convert from a higher bit-rate to a lower bit-rate, the audio samples get truncated and leaves an unwanted noise. What dithering...

well sweet dude, my old landlord probably would have killed me. yeah headphone dist. amp would solve it, its just hard in your situation and what you want to do with it. It would be f%^&* awesome to have a giant recording house haha

blueberry morning IS. THE. SHIT. :drunk:

x2 , keep it simple.

thank you brother, peace and love.

uhhh....i would double check...the last thing you want is your landlord telling you owe 3000 in repairs because you "had fun"

this place is more dead than the analog section......

:laughings::laughings::laughings::laughings: haha yep, doing the world a favor one session at a time.

I need to patch/ recone two speakers in my car...everytime the bass hits, buzzzzzzzzzzzz. I've heard that you can take a mesh-like substance, and kinda paper-mache (sp?) it on the back of the speaker to kind of patch it.

dude this blows, i'm sorry. Yeah, I tell everyone to tell their cell phones off, especially the musician. I've never had any interference ruin a recording, but it can be so F&*@#$% distracting for the musician and everyone when he/she gets a text every damn minute.

HOLY shit. that was cool, thanks for the small lesson man, I'm going to focus on this more in the future. :D

The string part? yeah I don't know, that song isn't even finished, hence the mix sucking...I need way more work to do on that song, but thanks for the input man!

true, true. I love mixing audio so much, simply because its moments like this where you felt you have a grip, but in reality, you don't have any understanding compared to the vast amount of knowledge and expertise out there. It's a never-ending journey with a million rewards and a billion...

well god damn. thanks so much! My problem is that my HD 280's arn't broken in yet, so I can't monitor the bass with much accuracy, AND my alesis 520 actives don't put out any of that range. Thanks dinty for the input, I will boost it up! On a second note, how would i go about practicing...