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Might be able to show precedent. If the council did it once they can do it again. Especially if it was a board members property. G

Is it an area or use variance? G

I see.I was assuming the "V" after the fact on top of the drywall(finish carpentry). I like wood.You like wood.Some wood. RCA Victor studio Montreal.Classic polys. G

The "V" was quite popular in the old days.Both vertical and horizontal. Check out RCA Studio B and EastWest Studios for inspiration. I prefer the utilitarian look.Form follows function. G

Yes,noticed a lot of lipstick and mascara going on.Heavy on the interior design with pretty much the same stuff under the skin. Sound waves won't know the difference it's a boundary surface to them. All figured out decades ago. YouTube G

Seems to be a Pliteq product.Might end up having one of my old tires in your wall. G

Visual aid.

Behringer Truth B2031A Flat on-axis smooth off-axis. Same goes for the JBL LSR series. G

Two types of bass traps.Either work on particle velocity or pressure. Corners are high pressure/minimum particle velocity. G from Toole

Closets make good bass traps if that helps. G

No,not my place just an example. Thinking pre-fab/cut just to get the structure up. G

What about a engineered permit ready garage kit pimped to your needs. Just a thought. G Silvertone Mastering NY

Pick a wall that makes the most sense with regards to comfort/ergonomics when furnished. Wall hangings/drapes/pillows etc...added in the voids leftover. G

The "DC to daylight" dilemma.On paper and in the laboratory it's the bees knees. In the field it needs to work like a well seasoned cast iron frying pan. Nothing much going on below 40Hz and above 12kHz and one open mic in a studio dominates the noise floor. G

Walls B/C with the windows knee walls Chris? G

You need traps that work with pressure(high pressure equals zero particle velocity) in the corners. Foam works with particle velocity transferring to heat. G

KISS. Focus on the fundamentals and don't dwell on the esoteric. G

Careful.Full line voltage on that relay. G

All that space behind the mix position is one giant bass trap. Seems you're over compensating (muddy) from lack of bass reinforcement due to no rear reflections. Enclose the space a bit to create a pseudo rear wall to give some beneficial reflections. Just a thought. Gary Flip monitors right...