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I put an sm7 on kick a couple of days ago and really liked it actually. I am confident that good kick sounds could come from it. I got mine for $200 on ebay so it's in your budget if you can find a deal. I think john feldman uses it on kick.

I wasn't very clear as to why I didn't like the AT3035... every vocalist I put through it hated the way they sounded and it was dull on overheads. That's all I used it on but considering those are probably some of the most used places for an LDC, it didn't work for me. I prefer the studio...

Oh yeah I've never posted here but mrface's payment was a breeze and there were no bumps along the road. Great guy. :D Same with Daav below, fast payment... easy to work with.

Check down this list a bunch. I'm selling my firepod... 8 channels.

I really disliked the 3035 but have never tried the B1. So I say whatever you do, stay away from the 3035.

Firepod down to 460 + shipping.

Don't know about the rode but I can tell you I didn't like the GT55 on vocals. I like brighter mics though.

Presonus Firepod... absolutely beautiful condition... in box with all paperwork. Cubase hasn't even been opened. $460 + shipping. Audix D2 - Only in fair condition... the logo is faded and there are etchings in the mic that say "H.E.L. D4 #1"... also a couple of random scuffs. The windscreen...

How many songs?

SM7b has a few more features... that's the only really difference I know of.

You don't seem willing to accept the state of things so be happy that you enjoy making music. If people ask you why your songs are broken tell them to fuck off and write some more music. Whoever said music isn't science though has no idea what they are talking about. Every aspect of it is...

That's a pretty lame studio if it's professional. Works for a bedroom studio though if it's yours. And never be afraid to EQ... that's why it's there. People spend thousands on EQs alone. I don't think any budget mic is going to give you a really nice sound without some eqing.

They're better than any of the m-audio stuff and comparable to the firepod... definately don't suck in my opinion.

It's most likely moisture... put a silica packet in there or some other absorbant crap

I hated the AT3035.... everything sounded dull and boring through it (and I mean everything... vocals, acoustics, overheads... any general rock sound). It was like a vacuum for energy.

Set your input to either 1 mono left or 2 mono right.... you're input is recording stereo to one track so if you are using input 1 it is left and if you are using input 2 it is right.

The MXL 2001 sounds a bit like a behringer B1 with lower headroom and a nasty "rigid" high end I'd say. I've owned both at one point and still support the behringer B1 against other mics in it's price range.

the firepod pres aren't that bad :P but they are pretty bad. Put it this way... if you go and spend $500 on a preamp which is about the price of a new firepod... the preamp is going to sound better than the EIGHT preamps on the firepod... if you bought a $500 converter it's going to sound...

The Brick... sounds similar to the neve portico.

Don't know anything about that but NAC, which can be purchased at most vitamin stores, has been shown to stop deafness in guinea pigs in some article. I've been using it and haven't had ringing or muffled hearing for years (I also use earplugs a lot however).