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I believe that's a Mr Micrphone

Let me dig out my Complete Beatles book. I think I can figure out how many bounces equals tracks

Before I did a thing I'd do some recording and LISTEN hard to what you get. Don't try to fix what ain't broke.

Yer hittin the high spots.

Also I prefer my old Lexicons and a MidiVerb II over plugin reverbs

SECURITY.

RNC still gets used . I have three Radio Design Labs "Stik On" compressors (designed for like Muzak installations) that I still love what they do to vocals.

Boxers or Briefs? Depends.

Looks like clipping but still, check all the settings in both your DAW and your interface to confirm all parameters match. Sampling rate, bit depth...

Wow. That's thick without pumping. I like the production too. Hats off sir.

Here in St Louis we have a chain called Music Go Round. All second hand gear. GREAT bargains on all kinds of gear but you have to keep your ear to the ground. My go to mics for toms are AKG C-3000's. I see them there used for less than $100. In a pinch, I'd use them as overheads but only in a pinch.

Asks me to sign in. Got a better link?

If the ribbon gain is your issue, try a Cloud Lifter or any of other pre-preamps. I have and R10 but in front of an amp so gain ain't an issue with me. I have an 1820 as well but it's not my primary interface.

Check the sampling rate on everthing. The DAW and interface has to be set at the same sampling rate or shit happens.

Merry Christmas my friends. Like I'm short on stringed instruments, so I gifted myself another Tele. Double bound, flamed rosewood fingerboard. I like Tele's

Anyone have hands on experience with the Kaotica EyeBall? What's it made of? How much isolation? Inquiring minds want to know.

Wow. Sounds great.

The care and feeding literature that came with my R10 states it's a poor substitute for a hammer and no phantom power.

SOME Ribbon mics care but it's unlikely you have an RCA 77