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  1. R

    Investing in a new preamp....

    On a budget of $300/500, that's not going to leave much change for a stereo preamp. The Focusrite Penta has a very clean (albeit mono) preamp and a very usuable preprogrammed/further tweakable optical (stereo) compressor, plus an excellent tube emulator and stereo width processing section...
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    Best sounding album you have ever heard?

    Second that!
  3. R

    OSA Mic preamp

    MMm..sounds worthy of further investigation. Thanks for sharing some of your insights, Chessrock.
  4. R

    OSA Mic preamp

    Knew it! Care to extrapolate?
  5. R

    OSA Mic preamp

    Sorry, I don't know how good they are or anything, but I was curious as to what people thought, and if anyone was familiar with them. Just piqued my interest, that's all.
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    Preamp A vs Preamp B - Discuss.

    I guess the same can be said for everyone (not least of all me)! Did we ever find out what preamps they were?
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    OSA Mic preamp

    Check out the MP-1A description and price...
  8. R

    Preamp A vs Preamp B - Discuss.

    I'm not seeing any consistency here.
  9. R

    Sam Ash Retards

    Well, at least you're finally learning how to be concise.
  10. R

    My Band was on FOX's Next Great American Band

    You talk too much, dude. And your spelling sucks.
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    Most diverse studio amp

    I've been thinking, just for kicks, of reamping bass through a Trace Elliot and mic'ing each driver (there are three). That's gotta give you some flexibilty!
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    Solved SM81 sound clips

    I see. And what distortion generator did you use on the output buss?
  13. R

    Preamp A vs Preamp B - Discuss.

    B seems to have a bit more bite and presence, but the difference is pretty insignificant.
  14. R

    Preamp A vs Preamp B - Discuss.

    ..which explains your not seeing the need to use a real amp in the studio.
  15. R

    I hope this is the right place for this question

  16. R

    Sam Ash Retards

    I see, so were only done when you've had the last word, gotcha! (^: Awe, go on then - have the last word or 4000, extrapolate away, drop a name or two, throw in a mention of the orchestra again, and we'll definitely be done.
  17. R

    Sam Ash Retards

    Are we done?
  18. R

    Most diverse studio amp

    The 'purpose' is to get a good tone down without the need to dick around with it for hours, which using DI always requires, and even then it'll never be right. Granted though, Death Metal has evolved in tandem with a tone that doesn't require much in the way of dynamics or articulation (that's...
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    recording WITHOUT a metronome?

    Recording with a click sure helps with any editing/cutting/pasting they might want done later!
  20. R

    Most diverse studio amp

    Well, the last thing you need is a Fender Twin: it's big, heavy. LOUD and bright. The little Orange amps are nice. Since it's for recording only, you can really home in on the tone. The little Champ amp you mention would be a good choice.
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