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whoooshhhhhhhhhhhhhh erm 2 words IT ROCKS I never felt the need to EQ or compress or do anything to the sound at all my comparisons with the same mic straight to my desk left me wanting to tweak out the lower mids..... It warmed the sound of a telecaster beautifully. Removing the nasty...

whacking is good, especially when there is no danger of being whacked back

do any of the vintage threadsters have any experience of these mics???? just recently aquired 4 fig. 8 ribbons & 2 single sided ribbons along with 2 dynamic mics. One of the dynamics is a big goose necked thing originally used for podium speeches etc etc It has one of the most focused pickup...

yep I've been experimenting in the world of drum now for approx 23 years on a dailly basis & pride myself in a good recorded drum sound. I've just had a band in & the drummer had been playing for just under a year...... the point of the story is to get the "ideal" drum sound it more or less...

hey peeps just aquired a chandler ltd germanium preamp/DI I'm just off to try it out for the 1st time & wondered if anybody had any experience with the afore-mentioned box????

I agree, as it goes............1st thing I nittled when I 1st heard it :D

I know what you mean.. It's like that in Tour De Force, sometimes hard to tell if it's Di Meola or Hammer sometimes Anyhoo about the funk track here, I'm hearing lots of details in the productions that have been overlooked in my rush & excitement to get the track up here When my studio is back...

I've been trying to get that album for myself for years..........are the synths that annoying???? anyhow thanks for the words. RAMI...............I've never asked & it's unusual for me but what tubs are you using??? & whats the choice of circular metal thingies

I'm cool with that RAMI only when It's remixed & part of an album then I want at least a grand per note per download:D:D:D

FTR Herbie Hancock's "Headhunters" has to be one of my biggest influences re the groove factor CHAMELEON ANYONE!!!!!!!! I bags kit:D:D:D

MAN...................I love you guys.. sheesh, I mean,.............shucks RAMI I was slightly nervous upon recieving the files I must admit. What's it gonna be like, will my system accept the files, will it flash up "not for use in GB!!!!!" I got the tracks in & lined them up & WOW. I would...

yup it's about it's about 60 feet approx. from my front door

WOW!!!!!!!!!!!!!!!!! I was big headed before but now I swear to the big man above I'd pass as part of the milky way right now I played the bass & the 2 guitars. The percussion is all pre-recorded. I started off with a set of loops courtesy of a demo CD supplied with a boss BR1600 & when RAMI...

depth....... great word.... FTR the guitar is the first recordings of a refretted & rewired 1960 345 that belongs to myself. Handed down from my father. Both the rhythm & lead part was recorded in stereo using 2 ampfarm simulations per part equalling 4 ampfarm sims all in all & the drumming...

DAMN rumbled Jeff has been one of my biggest influences & I just love the playing & production carried out by Bill Nelson et al in BBD I used a midiverb I on a short setting & roland RS550 on a slightly longer setting over the drums/loops & I used Dverb on the lead. The delay is supplied...

BIG is my middle name it's what comes of being small in stature It's so damn funky

A funk track, a mix that I threw together to hear the bits in place.....a quicky in otherwords ANYWAY................ the title was inspired by Snakedog landing me with the Llama attack on www.myspace.com/sutherlandandson I instantly had a title. Now it's a track that will ultimately end up on...

:D :D :D :D :D :D :D :D :D

boing :rolleyes:

BWAHA thanks for the kind words glen the harmonica was a mix of straight bullet+ bullet thru treble & bass 50 valve head mic'd with beyer m201 as well as a solidtube LDC I used the solid tube in the same way as the sax. At the side of the player pointing down at 45% about 2 feet away I also...