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They're looking for a good full portfolio with a bunch of different music styles and voice over probably including orchestral recording, I spent almost 2 years at omega recording schools in Rockville MD and didn't come out with much useful information. The market is declining and getting more...

The OP said it's ok to delete why can't we just delete it?

Hop down off that cross mary we need the room.

And you rap pretty well for someone that doesn't rap Thai Pan HipHop Showcase - Virginia Beach, Virginia - YouTube

Ok, you're right, back to work here, good luck with your "leveling" and becoming a rap star.

Take an english class you're not making any sense. You're just putting big words together that sound intelligent but using them all improperly.

Word barf?

Have you even read George Orwell, or did you just remember a big important sounding word and use it hoping no one would notice?

Ahh "blah blah blah" the incite to an intellectual epitome

Yeah figured I'd lighten the mood after you offended almost everyone with your horribly vulgar childish and ignorant rant but I don't think anyone expected anything more than that from you anyway. You're welcome

How dare you! I'm not a nazi...hehehehe

Trust me you don't need anyones help in that department.

When producers mix parts of songs they gets legal rights to multitrack copies from the publisher/artist and are then given the multitrack raw tracks directly.

The point is with that price point and your interface either sm57 or i5 will give similar results both good. You would need better pres, converters, monitors, room treatment to notice the real nuances between microphones, just get a good sound and you will develop a mic preference later.

You're getting into another price range at that point though and the Sen 421 comes into play.

And how do you not notice a plug in on one track let alone every single one and the busses? You obviously didn't try what you had said "tried transient shapers...tried equalizers...tried compression.....limiting with increasingly higher threshholds." or you would have seen this "lame plug in"

That's gratitude for ya.

A lot of people will tell say the D6 for the kick, but if you want a versatile bass instrument mic I'd steer clear as it's unnatural response peaks are nice for click/boom on kicks it can sound funny on an acoustic bass instrument and some bass amps. I'd go B52 or D112 in that price range.

Maybe we are talking about something other than harshness then, my Sm58s and 57s beta or otherwise have never come across as anything but smooth and soft even when using them live through amps peaking their limiters the entire time. Now my 87A can be harsh or my Co2s can be but never my 58/57s

The cymbals are causing comb filtering, not sure where from or why without seeing the processing done during mixing and bouncing, but thanks for your kind words on the short vocal take I threw on.