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i have a d112 on a kick with an emad head, and a very small pillow at the bottom, to get rid or excess ring. but, when i pput in the akg, its really boomy. are there any mic positions that you would recommend, to avoid this? or should we just put in more deadening? any mic positions tips to try...

theres no chance that anybody outside arizona carries krank is there? lets say like california?? i really wanna check it out and make sure the samplse on the site are actually what it sounds like, and how heavy a tone i can get? like a tool and perfect circle type tone?

put up some samples

are you just using the recorder, all the effects too? nothing like outbaord pres or anything

im looking into tom mics, and my setup so far looks like this. a akg d112 on the kick, oktava mc-012's up above in xy, and most likely a 57 on the snare. these are gonna be rock drums so they not to be up and present in the mix, especially since last time the toms were almost gone.. so im...

if your the owner of any akai dps16 can you help me out and throw down a quick song or something and just use the onboard effects, i want to see how goodthe reverb and compression is, thanks alot

i read a review on proaudioreview.com for the fostex VF160 and he said he really liked it, i know it has 2 phantom power ins, but does it have any effects, hows the compression? and how many inputs does it have in all, kuz it says it can do 16 tracks simultaneously? thanks

yeah- i was trying to keep it closer to 700 bucks,, hopefully even less

can you explain this yahoo freeware programnd you really like the compressor on it?and theres softwrae for the 4 effects? thanks that was informative

i have an 8 track but am bumping up to a 16 track. which 16 track would you recommend and why? can you tell me some of the pros and cons too each of these? im looking for phantom power, at least 8 simultaneous tracks, effects, (how many?), and just good noiseless professional pres and recorder...

can you post any samples of the stuff youve recorded? i have a br-8 and want to kick up to a 16 track and not sure which company t go with:korg, yamaha, or akai....are you jsut using all the pres and effects in the recorder or do you use outboard rack effects too? and what mics did you use? and...

what about the ebtech hum eliminator, it supposedly help with ground problems right? would htis help the faulty cables too?

how would you guys compare these two noise suppressors in quality of reducing noise and hum? also,do you know if the ns 50 has an effects loop? the ns 2 does. i play through about 7 or 8 effects and that will probably grow a little, would the effects loop be worth it? how much will it improve my...

check out www.foma-band.tk for crazy tunes

i thiink im gonna go test a peavey xxx...i heard one live at it wa awesome...very clear, and it has the dampening switch thing...so what do you think about this matched with a 1960a

so what are the differences tone wise between say a crown amp a mesa recording pre and a dual or triple rectifier?? what are the pros and cons

i play tool, perfect circle, deftones type stuff and currently have a deville 4 10...im getting ick of the tubes going out on me..so will keep this as a backup amp when we start touring....so far, for a cab i want a 1960a, i play through lots of effects so this seems logical....the head or power...

i have an mxl v67g that i may want to experiment with on the kick...last time i had the drum head off with a 57 like an inch away from the beater and it was awesome...this time the resonant head is still on i put a 57 through the hole and may want to put the 67 back few feet with a pop filter...

yeah i figured it out, the white had to go on the capacitor/resistor looking thing...not on the volume pot thanks

i have a tom delonge strat....the white line coming from the input jack wasnt saudered to anything....i saudered it to the volume pot, seeing is thats where the black line from the input jack was....maybe i just did a crappy saudering job??? does this sound right to get my guitar back? thanks guys