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I don't look to the "even" conversion. But, 44/96 and 48/88

I wouldn't know. The only thing I've looked into over the years would be bird calls

My thoughts are that better gear can help grabbing specific things, and better is better if you want a Stereo Field My lower cost ws-822 looked like it would fill the bill for me. Mixed results, but the conference room processing might prove valuable. It will do a basic WAV, but the clip was...

I'm just using an Olympus voice recorder . I think the little MICs spec down to 80Hz I got one bad-ass cricket on this one;

ART Pro MPA II

Ya, cheap preamps ARE noisy. I believe the tube is in the output circuit, and, you will want a NOS or less than optimal old tube

Mixing isn't that critical where passively vibrating boxes would cause an issue. Ya, it is usually to hear what different speakers offer

Oh, there was emulation involved with me picking Mixbus to use. That is a generic console emulation

I'm not speaking of the claims of performance, but if your monitoring is up to the task. Or, this card really does a crap job. There is no soundstage, compared to my old card, etc.. Like with the attached video I didn't watch. Who has monitoring and converters equal to Andy's. You regularly do...

Most of the time, I'm not recording anything that would benefit. Testing things, like reworking a synth patch to sound more analog, etc.. Also, don't just assume your system can hi-fi even 96k.

Just about anything can do with a MOD

Or, press the DEMAGNETIZER button : ) Really, though, you can take a snip of tape and pass it close to the tape path to see it goes magnetic anywhere along the line

Ya, the more hardware you have, you'll be able to make better choices. It's hard to know what any given converters are doing. It could be your card only does 48 and everything else is converted

I'm 44 with some 88 occasionally. I base that on what I expect to do for Computer processing & I've not recorded to computer but a couple-three times the last few years

You have to know the Mastering formats they need. First, nobody needs to be changing bit and rate just for the hell of it

The supply caps would be a perfect move, if you ask me. " incorrect and inferior tape". One of your secret weapons. I dunno, is there any tape switching on this deck ? With the mixer right there, you can experiment with your own EQ curves when mis-matching things. If you plan on "some"...

I don't think I have any for processing ?There a ARP 2600 and a Mini Moog, etc.. Ya, very little in my VST folder for processing - couple odd balls and some De La Mancha & Toneboosters

haha. I dunno ? The poster could be out having ice cream ! Anyway, should he find the amp sim problem range, he might want to run some sweeps to see if there is bump in the monitoring that matches

Well, it doesn't have to be tape, tape, & tape. It can be tape at the end. I use one of two useless 8-track hard disk recorders and just pop that out to 15ips 2-track

Well, the are old Minimus speakers that are mini full range Minimus 2.5 Minimus 0.3 REALISITIC 40-1250C MINIMUS 0.3 8OHMS 7W Mini SPEAKERS 4L" X 3.25W X 3 5/8H" | eBay