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One problem with violin is poor monitoring

What ? "The line-in on the Boss recorder is mono, so you are not getting a stereo signal" What kind of inputs are on your interface : ) Aside, a lot of modern patches exist purely for the effects. They still seem to be just fine on regular L/MONO out. Just about all my "STEREO" synths just...

Ya, I've two controllers with 3.5 to DIN - one a keyboard. There's less cheating without MIDI

Do you plan to do anything with it ? One looks for features according to the order of importance

That is a good starting place

Ya, that is just a for fun reading. My 8-inch give plenty of bass. So possibly, both the recording device and speakers are in the wrong place : ) Ta' null is fine as long as it is not at your mixing position

I think I've heard talk of that bring done. Better to have keyboard in tune with the recorder for how you want notes to go down

" that optimal is between 50kHz and 70kHz" I'm usually suggesting the 63khz range

He would not ! no nonononklnn. Before I got a classy DAC for under $100, I would use a DSD to PCM driver in my media players. I see this one is converting to 88k PCM

I listened to the clip this morning as posted in #4. It is too MIDIfied. If the "composed" was a final performance at a keyboard, it is the poster child of tight and quantized : ) Attack and loudness usually vary quite a bit, etc..

Hahah. relatively non- consequential fo' me. I've noted in other threads I only care about 50Hz to 15kHz - for my music. I'm into synths (as a real duffer), instead of guitars and drums. Ya, synthetic AIR frequencies might require more weight, now and then. As it is though, I'm usually just...

There can be 24k onboard clocks, etc..48k can be native mode and sound better

It would appear the Apollo is asleep at the wheel

Oddly enough, with pretty much just hearing on the left, I can still catch stereo effects going on. I'm still buying some Hi-Res

I usually listen to the Dave Hill types.

you plug into PGM and give it a go

192 on a $150 interface gives you something. Like a pocket of Russian Rubles. Doesn't mean you could buy a loaf of bread with it : )

We pay for stuff that really works on reducing smearing. You record some tracks and the jitter is working good. the next track has a jitter issue

The rate and depth can be better, but it's a formula 1, not a Mini. There is the analog i/o which costs money, but really stable digital has to have the expense. It took Jack Renner a long time to find 192 k that sounded good

ya, you take a look and see if it's worth the effort. Like a caboose on my new Behringer mixer to house the discrete op-amps