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In the spirit of not taking up more space to tell you almost the same thing... can you guys check up on this other track i now have uploaded to my site? it's called "Amalo a El" I have gotten 1 guy tell me he listened to the whole song just because he liked the flow i was rapping in and the...

...and a lot of the background processes in your system...i don't know about yours...but i have configure to be starting with just 16 of them. If i need anything besides recording...most likely i have to start it manually, sometimes that means starting services manually, but that's no issue to...

How are people gonna fix problems of some instrument using the same freq range of their vox? For me it's very important to have the original if im doing anything that's worth recording.

What i meant was recording the vocals at those settings...but yeah i get your point of why record at this super high quality when you are gonna take it down to 16/44.1 anyways... After the track is completed i should "dither" it down to 16/44.1? and then burn right? is it a very bad idea to let...

And so on and so on!

he is saying that if the cost to them of the monitors you want is around lets say 200 bucks...they only need to clear 11% that's 22 bucks...so they can go all the way down to 222 and still be alright with company standards....i dont know about mark ups in monitors but lets say they were marked...

I'm glad im not the only only one who thinks this way! "So the point is, maybe it's not so bad to start out with a hundred dollar pair of speakers, as long as you have something to experiment with and just start trying stuff."

well i tried doing the 24/96 with a test beat and song (beat converted and vox recorded at 24/96) and it didn't give me too much trouble in cubase sx3...now i understand also where you coming from in the plug-in department... would going to 32 bit from 24 make a difference more than going from...

Nice Deep thought out track! If i could flow more in english i would lay something in there, me being PuertoRican can relate a little bit, I wish i could find a way home! But all this nonsense the salary will not make it a benefit...im feeling that track...when you find somebody for the 3rd...

I thought of that...I've been researching a little bit and in my genre somehow a lot of poeple mixing profesionally (Commercial Albums) with the little yellow mid rangers. Ofcourse they are using the 8" versions like the rp8 or the v series but...i don't want to mess with the neighbors anytime...

You know, not everybody is willing or capable at present time to dish out for the best, or for a matter of fact for anything that would be alright sounding. Some people prefer to dish what they can now...than not being able to make better mixes than with what they got for a long period of...

If im doing a 24/96 project and had a 16/44 sound and i didn't convert it always sounds faster ...and you said slower...is this the norm or what im experiencing the norm? Just for conversation sake!

Were would something like that fit in my chain? right now i have Condenser---->M-Audio Firewire Solo Audio Interface ---->PC/Cubase SX Would this be something that would replace my AI? or can this be an addition to my chain in order to get maybe 1-2 more mics in (that's all i do, record...

DAMN!!! That's Big!

Since we are still discusing the out of topic things! At what settings do you guys ussually record, mix and master (or send to master) at? my rig can do 24/96 at the high end...should i be recording everything in that settings...is it a difference maker? Would i enjoy the quality benefits from...

so on the six inch, in the 300-400 dollar range, you guys would recommend the rp6? are those considered near field? what about them samsons the resolve 65? are they considered any good? i ask cuz those are basicly the only monitors i have personally heard, my buddy has a studio in his attic and...

Thanks people...good advices all the way....i think i gonna keep doing the high quality mp3 thing to give to him back and fort... but also send him the wavs/// with the mp3 i have him working right away you know!!!! lol

El cheapo is probably not el cheapo since i pick it too...ussually if it sounds better, it cost a lot more... And when there's this discrepancy in price...ufff it gotta be the expensive one...if its not...then ...ummmm

since you guys are on the topic...If the songs i write and then perform over instrumental produced by my producer, how would i go about at least getting copyrights of my lirics? or would i get copyrights of the final sound recordings under me and the producers name...which i wouldn't like to...

I get crackles and stuff like that...but that's when i have had the program running for a long time with break intervals to go and roam the net and do other stuff while the program is running...but then i either save the project and quit and run the program again and if that doesn't do it then i...