Search results

me thinks you need to upgrade to adobe audition now. however...you cold just mixdown the songs intoa folder and then burn it with like nero or something

syntrillium, while it is still up....what tha...IT WAS THERE LAST NIGHT!!!

the file would help huh? http://www.foxytravel.com/YE/mixdowns/far_away%20sb.mp3

ok, I think I have the drums really close, so now comes the bass, can you guys offer some eq suggestions before I pile on an extra helping of geeetar?

go to the CEP website, download the cd burner plug in...use it.

I made a mix, but my blocks are all out of order...you know, kick drum is #1, then the guitarist, then bass, the left drum mic, etc...is it possible to move rearrange the blocks in multi track view? further...do you think Adobe will create ASIO drivers for CEP?

The king is dead...long live the king!

the PA is a great way to do it, in fact I have been getting the guys to run into the PA for practice to get a better mix of sound...you can hear car wrecks better that way. Now if only the drummer would turn down :(

ok, I am doing a cross country project and I am about to go loony toons! I am running Cubase SX & Cool Edit Pro, my brother in Arizona is running CEP. So, I record the tracks in SX, then import them one at a time to CEP. he works on it, and I will put the track in SX or CEP, depending on my...

ahh...screw it, don't hit record...just hit play...it will start recording once you get to the selection.

do a search for punch in...it has been covered a few times. If you have any questions beyond that, let me know.

ya, while my bass player was laying down his tracks, the drummer went through about 50 Maxim magazines and cut out the best of the best...there are a couple up there that are distracting to say the least :)

I am sorry, I think I misunderstood the question the first time...for when I play live I have a marshall 50 watt amp (plenty loud enough for 98% of all situations and not as heavy and cumbersome as stacks) I go from the POD Pro to the return section in the back of the amp so as to bypass the...

I run a pod pro through the mic cables, I then run it into the tube side of my presonus firestation...My brother has the pod 2, and I run that into the presonus as well. Like the sound a lot.

Also, at about 45 seconds, I can't quite tell if I have a phase issue, if I do, its just when he does that one type of cymbal hit (hapens about 3 times in the song)...the question is...if it IS in fact phase, is it worth repositioning the mics and risk getting phase elsewhere? Can I save this...

I will go look today and let you know...I completely changed the entire mic set up, and replaced the sound file...it made a WORLD of difference! Although right around 45 seconds in, I am hearing what MAY be phase...it only happens twice in the song, so I am not quite sure that it is... Oh ya...

ya, he does hit it hard...that is why he needs a new head...dented this one already :) I also have that mic padded so I have some decent headroom. Any other tips on mixing it?

not really sure, I am borrowing it.

all the mics have been moved from that previous pic...including the kick mic. The room is all concrete, except for some bass trap style wood I put on the ceiling. I also put up some other stuff to keep it from being so rectangular. The way I was micing before was a total nightmare, I think...

here we go...no eq, pannned the left and right @ 10 & -10, no compression, no reverb. I used the recorderman technique...it does seem to work much better...tell me what you think. http://www.foxytravel.com/YE/mixdowns/far_away%20sb.mp3