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Yes, but he can't affect filter cutoff/resonance/ADSR settings etc - I gather this is what he's trying to automate.

Think I'd go on a cruise

Bouncing won't cure the problem - it's synth automation he's working with, not track

Thanks! µ

Correct, not sure how you do that on a QWERTY

u = micro seconds, not nano

I was in your situation back in 2007, agonising over whether to buy for my first DAW, either Cubase or Sonar After a lot of internet browsing I settled on Sonar, and I'm glad I did What really tipped my decision was the forums - the Cakewalk forum is full of helpful, knowledgeable people The...

Probably. 8.5 is a much more powerful program with many extra features that version 2 never had. It would be naive to think that 8.5 consumed LESS resources than 2

A perfectly mixed song will not need mastering. If a given song is part of a larger album project then it might need level matching, that's about it.

I haven't broken a string since I moved up from 9's to 10's (one axe has got 11's on)

You owe it to yourself to at least try and get things running on your Win 7 machine, provided it's got a bit more than 4Gb installed and it's a 64 bit Windows installation. I'd try loading X1 (64 Bit) on it (followed by the necessary updates) and see which plugs that you're worried about are...

I like the CSR models from IK Multimedia - and they are all now 64 bit

Thanks muttley - why didn't I think of that :spank: Next silly suggestion please

Volume automation all the way for me - this is just a natural extension of automating my guitar tracks

So, to keep this going, what would you guys use on a strat clone and intending to drop tune (Drop C - as in fully dropped to D and the 6th down to C)

The stock Quad Curve EQ in sonar X2a is sufficient for nearly all of my EQ needs. I might use TRacks Linear Phase EQ for broad tonal shaping on the master buss, nothing much else these days

^^^ This is excellent advice.

Grab a copy of Mike Senior's excellent "Mixing Secrets for the Small Studio" Here, he explains at great length the various functions that a reverb can be usefully employed in, like using one for size, one for blend, one for width, one for colour etc. You don't have to use them all at the same...

Compression is like painting If you slap on one big thick coat the end result will be awful Build it up layer by layer (tracks/busses/master) Remember also that if you put compressors in series that their ratios will multiply, not add

Still relevant.....