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I got (blind) the C1000S - I'd get it again... I bought myself a small Project-Studio -starting from scratch -. For the while living in Africa I could test NOTHING, so I bought lots of stuff blindly, like as a main mic (Vocals, Ac-GTR, even trumpets or saxes) the C1000S just by the specs and/or...

I am satisfied with the quality of the effects. But I've still a doubt whether it would be an "aha"-effect suddenly listening to my productions with higher-end reverbs (Waves, TC, etc.). I once read from a well-versed engineer "most engineers, even top name ones can't tell the quality...

Wekk, I've often seen such a question posted often enough (me, too), but never seen one reply to it... Wonder why it is not a talkable subject... When I process/master in the very last stage I do the following 1. FreeFilter 2. Steinberg's Mastering Edition Multiband Compressor (50% of the...

"compressed 14:1, slow release" Now that's a piece of information I can use. Most of my backing vocals at this time are in Def Leppard's kind of style. So I'd like to copy it first, then to move on to my own style. I had read a couple of M. Lange's trademark "secrets": recording each harmony AT...

If you are talking about the backing vocals: I read in an article that Enyas trademark sound is produced by stacking many times the same vocal line. That is, she sings the same part over and over exactly the same (which due to humane imperfection will never be the same). She does one harmony at...

I agree, something happens underneath. Besides the suggestions from the others, there are somethings I plan already in the recording stage, exactly with the philosophy: "I know this won't be heard, if at all..., but it will be there..." For example -special sound effects just at certain points...