Search results

  1. JimmyS1969

    Parallel compression A/B level matching

    I guess you could place a limiter on the third bus, but then you are altering the signal to get to the volume match. Not sure I can think of a way man. Just gotta use your ears in that case. Other than exporting both separately and changing the gain on the mixed one to compare - or manually...
  2. JimmyS1969

    Parallel compression A/B level matching

    Not sure I know of a way. I am more curious as to why you are wanting that? I typically just send the drums 'kick/tom/snare' to a second group channel, squash the shit out of them, then pull the fader up to taste. It's always going to raise the level by combining them. I also send my...
  3. JimmyS1969

    Mix This - "Already Here"

    Is there a BPM?
  4. JimmyS1969

    Introduction

    Welcome fellow Cubase user!
  5. JimmyS1969

    Monitor Speakers From Phones Socket?

    You can run any powered monitors from a headphone output. Just need the appropriate adapters.
  6. JimmyS1969

    Stained

    Love it!!!
  7. JimmyS1969

    ok, i need help picking a drum kit! same song, two kits..

    I also side with the second kit.
  8. JimmyS1969

    How to split a guitar cable signal into two (inexpensively)?

    Just a passive DI will do that. https://www.amazon.com/Rapco-Horizon-DB-1-Passive-Direct/dp/B0002M66SG?th=1 They used to be only $20...
  9. JimmyS1969

    Too compressed

    Put a smidge of plate reverb on that snare. :) Great tune man!
  10. JimmyS1969

    Vhorns saxaphone

    The short answer is yes to the first two questions. Not having the software, no clue on how it sounds. What version of Cubase do you have?
  11. JimmyS1969

    A bunch of interfaces

    I would assume you can do it by running one of the interfaces as a master, and the others as 'slaves' via the optical connections. Seems you would be better off having all of the interfaces in control room and run snake to tracking room. That is what I do with 2 Steinberg UR824's and a Behri...
  12. JimmyS1969

    Why my mixes sound like sh*t on phones

    A good song that a listener likes, is still a good song on a phone. It's not supposed to sound amazing. It's not worth trying to make it sound better. Just write good songs... :)
  13. JimmyS1969

    Shure SM7dB

    Sounds like something they should have done a long time ago. Not that I care. Never had preamp gain issues with my gear. But sure the heck heard about it from others for years...
  14. JimmyS1969

    Advice on studio desk placement

    Yes, option 1 would be most optimum. Listening position best approximately 1/3 the distance of the room. Likely monitors 2' of wall. That would hopefully make your first reflection point past the glass block window.
  15. JimmyS1969

    Preset mix

    Howdy eua! None of those things you mentioned wanting a preset for, are done well with presets. It is all subjective to what the track/song needs. That being said, there are many Reaper tutorials that may give you some insight. Unless you buy a vocal 'suite' VST that has all of those fx...
  16. JimmyS1969

    New Members: Introduce Yourself Here!

    Welcome! Music is all what you make of it personally. No right or wrong, though sometimes things do go wrong. This is a great place for advice when they do. :)
  17. JimmyS1969

    New Members: Introduce Yourself Here!

    Welcome to the forum! There are some good people here. Maybe you are one of them! :)
  18. JimmyS1969

    Please help fix my audio routing!

    Does that mean you have a limited budget?
  19. JimmyS1969

    Mixing SOS

    I'm not sure Mr Beak does either...
  20. JimmyS1969

    Ampeg SVT

    The Ampeg SVT Suite is awesome and worth the money from personal experience. I have not tried others so have no real opinion there. As a bass player, and one that records others music as well, I was very impressed with how good the Ampeg SVT stuff sounded very close to the real physical ones...
Back
Top