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they accept balanced and unbalanced cables....generally, balanced cables better if you have long cable runs... here's a good explanation of the difference between balanced and unbalanced: http://www.audiomidi.com/classroom/general/cables.cfm

ok, I still don't undestand what you're looking for - muffles or mesh heads?? you said in your original post 'EITHER', not both. They have different applications... regardless, interstate music has mesh heads, here's a link...

what do you want to do? those are 2 products for 2 different applications. one muffles the overtones of your drums (remo rings) and one makes them 'silent' (mesh heads) regarding where to get muff'l rings for your whole set....did you try and internet search? I just did and came up tons of...

here's a quote for you (and then I'm done....) 'Imagination is the one weapon in the war against reality" :rolleyes:

what's wrong with the bluetube as a DI? I use mine as a bass DI and it works real well... you can get some real nice thick bass sounds by routing some signal through the toob; or some not-so-thick by keeping the toob out of the mix (use gain only, not drive)

this would be all fine and dandy if all of his sesssions were with the back street boys and vanilla ice or some other untalented lumps (or mediocre talent, as you put it)...but they were not. A good bit of his session work is/was with great musicians who demand the best from the musicians...

forte was with journey?????????:rolleyes: are you kidding me?? overrated as a musician? if anything, he may be UNDERRATED check out steve's complete discography: http://www.vitalinformation.com/steve/discs_complete.html sorry - but you don't play that many sesssions with that many GREAT...

I think that it really depends on what you are looking for? a nice clean preamp (dmp3) or one that will color your sound a bit (art tps)? I don't know that the art tps will be too different from the art pre/compressor unit that you already have...other than the presets and built in limiter

Overheads: normally use a pair of Rode NT3s - sometimes I'll pull out a pair of Behringer ECM8000s snare - sm57 kick - beta52 also somtimes use an ecm8000 as a room mic (when using rodes as OHs)

I've done this in the past and it can work - but if you don't cut perfectly - than you're bound to have tearing of the head.... plus - I think that the 'template' makes it look real 'purty

Go to the delta control panel, patchbay/router page and set outputs 1&2 to 'monitor mixer' - this will allow you to monitor all channels that are coming into/being played by the card using the 1&2 outs

I've found that the best way is to use one of these: http://www.explorersdrums.com/product2115.html they're great because they not only provide a template for cutting a perfect circle, but they remain on the head and prevent any tearing, etc. of the drum head.

darkwillow - you have a delta44, right? well, so do I - and I've been able to record 4 tracks simultaneously on two different setups: celeron 500mhz with 256mb ram - I did have a few pops&clicks issues - but this was due to the motherboard that the chip was on (had a VIA chipset, which was a...

as well as the thread that was linked...the newest issue of EQ (w/Dweezil Zappa on cover) has an article/tutorial explaing how to set up cubase so that you can monitor w/effects real-time..:D

sounds like you're set.... just wondering..what kind of instrument do you have that has 4 outs? sounds interesting... I know that bootsy collins has multiple outs on some of his basses...so he can route the signal in different ways

"Is it possible in Cubase to record 2 different mono signals from one stereo plug." first thing, a stereo signal is really just 2 mono signals put together....having said that - the delta 44 has mono inputs, so you can record a stereo signal by routing the L and R channels into 2 of the delta...

you need to fiddle around with your PCI cards and get the delta44 on it's own IRQ - it doesn't like to share - and I see that yours sharing with a video card.

Re: Thanx I have a 3x13 Pearl brass piccolo and it's real nice..it's a good sounding piccolo - particularly for the price! I use it as an auxilliary snare - I have it set up to my left side. It's definitely a 'specialty' type of sound that I wouldn't want to use as my normal snare. Having...

I have a tama swingstar kit from the mid-80's and I've never had a problem with ANY of the hardware that came with the kit...that includes lugs, tension rods, tom mounts, snare stand, hi-hat stand, cymbal stand....I abused this kit for many years = played many shows with it, lugged it...

what kind of sound are you looking to get out of the drums? this will help determine what kind of heads you should be looking at....