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Aren't DIs more commonly for converting form HiZ to LoZ in order to allow a HiZ instrument signal to go into the mic input of a desk without overloading it ? I have several DI boxes which also have line level outs as well. Maybe this is where the confusion comes form !

Try swapping your speakers round. Im using Logic pro 7.2 and have had no problems

I have seen his articles over at RP. Good stuff !

I have been looking at one of those ! When my RME card comes back from Hawaii I may give one a try !

OK. Mix 3. I have sorted out the stereo immaging thing and brought the vocals down a bit

thanks much guys, high praise indeed from such luminaries !! I will go sort out my stereo imaging !!

OK added a guitar solo and sorted out most of the percussion issues to tighten up the turnarounds ! (and checked the link) http://homepage.mac.com/dr_simon_richardson/FileSharing8.html

splendid ! Thanks for the reply mate !

Ok I really want to sort this out as it has been bugging me for ages ! Im running a G5 which interfaces with two MOTU 828s and have an octopre which I want to plug into the 828s via ADAT. Im going to presume that the clock coming out of the BNC word out is the same as whatever the 828 is...

I re-tubed my TSL100 today and it could blow the nuts off a mighty elephant with out breaking a sweat ! Total beast ! Tube amps are much louder than trany amps rated at an equivalent wattage

Sorry about that folks, my bad ! Dogman is as ever bang on the money, that was the toon in question. Im gona spend some serious time today tidying up the kick and snare hits and see what pops into my head

http://homepage.mac.com/dr_simon_richardson/FileSharing8.html This is a recording of a couple of friends of mine made at my place. Obviously the percussion needs tightening up, particularly in the turnarounds but I must admit Im a bit stumped as to how to finish it off !! Maybe add a big bad...

I have the 4 ch Beri and it does the job. It is not in my recording chain so Im not really too bothered if it adds a little noise.

sorry if that didn't come out quite right, bringing your signal up to line level ASAP was exactly what I meant. What I was trying to get at was not using a whole bunch of pres in a chain to bring the signal up a little bit at each gain stage (adding noise at each stage).

burn your tune to a CD (mp3s are converted to wav files) and then re-import it as an MP3. It is a bit lossy but it works !

I think changes in humidity will do it. I have to tweak setup after the change form summer to winter and visa versa.

get your signal as hot as possible as quickly as possible keep the signal chain as short as possible don't use more than one preamp as it will massively boost the noise floor

you could try increasing the bit rate. It will make the file bigger but it will sound better. Their is a free MP3 converter in apples iTunes (amongst others) and you can change the bit rate in the preferences section.

I think they are crap for all the reasons mentioned above. I use Sweewater.com when ever i can !

I have put sperzels on my Lp (and on my previous studio LP). You will need to do some work on the headstock but they work really well !.