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here's my mix, I spent a long time removing the harshness, this is probably the best I can do for you, enjoy!

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I would highly recommend checking out audient's range of interfaces, the iD22 in particular is amazing, I am very impressed with mine

To be honest it's rare I have managed to get a great sound from using a front and back mic on a guitar cab. I prefer a very distant microphone mixed in with the close mic, but obviously distance is crucial and it must be perfectly in phase which isn't easy, it takes time, 9 times out of 10 just...

I haven't seen much gear shaming on here...try going to gearslutz lol I started off probably like most people with a single sm57 for YEARS as my only mic, I think if more people actually did that they would create much better music.

almost everything to my ears is too loud thesedays, I prefer dynamic range and quality, concentrate on the bloody song and writing a masterpiece, not how loud it is.

it's a little bit dry in my opinion for an ambient track, try longer decay times on the reverb, I did like the reverse guitar on the left though, the guitar on the right feels a bit stuck on, it's like there needs to be more sustain, did you use a real amp or an amp simulation? obviously gilmour...

Firstly I want to say that I like to song, but there a few things that stand out, the main thing is EQ on the individual tracks, I notice that the vocal is a bit nasally sounding there are frequencies that I would remove with some high Q notches, the bass guitar could also be even warmer in the...

I personally don't like listening on different systems and multiple environments, everyone is different. I would rather get to know one pair of speakers extremely well that are flat and accurate than have 3 or 4 mediocre ones, that is my philosophy and so far it's worked well for me, I am very...

yep it doesn't need a chorus, just try and make it interesting and keep it creative, that's what really matters.

here's my mix I had fun using my new elysia xfilter 500 hardware EQ on this one, and the xpressor 500, cool song by the way.

some nice analog synth sounds I like it, is that a real analog synth? nice filtering going on.

you have to go to the website and buy the upgrade, before you can install it, that's how it works.

I would buy 'mastering audio' by Bob Katz, in that book he has a chart called the 'musical pitch relation chart' it helps to understand what frequencies to boost and cut, still nothing beats experience.

it's a very broad subject but yes I factor it into everything I do, especially with EQ in particular, and using distortion and overdrive to enhance the harmonics, I tend to favour class A type circuits, especially in guitar amps, even harmonics just sound more musical to me as it rounds out the...

there's no reverb, way too dry, the other thing is I can't hear a solid bass drum, the arrangement could be improved by adding strings at 1:04, and at 0:50 in the breakdown section, I'd have that as a brass arrangement instead of organ, to help keep it interesting.

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yes you are spot on, sustain is super important, it's where 'the pocket' of the groove is. Sometimes I shorten notes, and sometimes lengthen them slightly, using gates can be interesting as well in how it affects groove.

I edit them quite a bit, sometimes to make notes shorter to help the groove, obviously it's always better when a bassist can actually play perfectly though.

here's my collection (so far)