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IF we would know all the trics that the top professionals know, would we be hanging around on this forum or making millions? Someone here might know something (I don't) but no one is going to tell you exactly how those were achieved.

Well that was the open posters point. He was saying in a sarcastic way that the article is absolutely great, which is very true. :)

And here comes my final mix: http://www.box.net/shared/vszq957dyr Please comment, I want to learn! =)

Hmm.. If you are using that kind of grouping, do you always have virtual instrument for the drums (in which case having for example hihats on different channels is easy) or do you cut the recorded track and move the parts on different tracks one hit at a time? EDIT: Ok the OP was talking about...

I know the problem as I tried making orchestral backgrounds on top of metal songs and it was quite painfull.. Cant give you any advice though.

Yep, but hey, it could have been many years! ;)

I was searching for material to practise mixing with and fortunately I found this thread. Here is my try: http://www.box.net/shared/hn58lpy8qk Im quite new to mixing and earlier Ive mixed only songs with virtual instruments, so don't expect too much, but I would apreciate any comments. I think...

Thanks for the reply. I tried searching on this forum but sadly the files for the competitions are no longer available. :( However I found one song immediately (https://homerecording.com/bbs/showthread.php?t=282245) so Ive been mixing it now and Ive enjoyed it. I guess I'll send it there when...

Ive been reading about mixing a little now, and Im eager to get that "knowledge" into practise so that I might start developing some real skills. However, I don't really have anything to mix. My own songs are made with virtual instruments and they hardly ever get as far as to have real vocals...

“I like to use 30 to 40 delays, from a 128th note to a half note, panned all over the place. I'll intentionally make some of the delays out of time, creating what I call asymmetrical delays. Just move them until they sound good." Did I understood this right? Does he really add that many delays...

Yes thats true, I guess I was rather meaning other people than you. :) Sometimes you bump into very weird idea when brownsing science-themed forums and even in the university on firsts years. Some comments here just brought that to my mind.

Its funny how many people have so wrong ideas about air pressure, vacuum and such things. :) Of course you can expand and contract and airtight room. The walls just must be elastic and quite strong. And no, they don't have to be infinitely strong. A typical airballoon won't be enough, cause...

Hmm, based on a quick look I really should read this article. About the points you already said, I also want to say that it's weird how you kind of know them and many people have said them many times but still you just forget them (or are not even willing to remember!) while mixing. I mean...

Im not really sure, but I guess Im talking about both to some extent, as I am propably going to apply ozone to both invidual tracks and the master channel. So I guess I use it for both mixing and mastering. About the presets. Hmm, I already have read the ozone tutorial...

Hmm.. Well maybe I shouldnt talk about mastering at all. After all Im not trying to master an album right now, im trying to "master" separate songs and I have now understood when reading other threads that it shouldnt be even called mastering. (I would maybe have enough songs for an album but...

Hi there! I decided to purchase a mastering software to be able to 1) get my demos sound a little bit better and 2) start practising the art of mastering in case I will some day really need it. Im asking for some opinions as I cant decide if I should buy Steinberg WaveLab studio 6 or Izotope...