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Sounds like the output from the pc is being routed back into the input, check your mixer config.

200 and up.

Probably the 'Control Room' outs of one unit or the other.

Basically, you listen to the track and then fix whatever is wrong with it.

Try a baby monitor or a toy walkie talkie?

Check all your cables. Try sending a line level signal directly into the Delta from a CD player or keyboard etc. bypassing the mixer. Try recording with no input into the Delta, getting noise? Windows 98 needs some optimization for audio, I'm pasting a copy of an article that I found a couple...

Maybe it's an impedence mismatch, try a different amp input.

Hey DJL , calling me a liar?

Setting up a show one day I came across a 58 that was completely flat on one side, it was shaped like a 'P' , even the body of the mic was slightly flattened on one side instead of round. As it turns out it had been run over by a flatbed truck that was loading speaker cabinets. Did it still...

Re: Re: Re: Soundproofing A hotel offered me a job as resident engineer in their newly renovated and redesigned 'club' , some genius interior decorator had charged them major $$ and had totally redone the place as a live music venue, all the walls were carpeted floor to ceiling for acoustic...

And even if you do, all you're gonna damage is the ball grill.

Basically the signal that you want to duck goes through the compressor normally while the signal that you want to trigger the ducking goes to the sidechain input. For an exact explanation of the hookup we need to know exactly what you are trying to achieve.

With guitars you use a Strat when you want a certain type of sound, you use a Les Paul for another distinctly different sound, neither of those can replace a steel string acoustic which in turn cant replace a classical guitar. A studio guitarist who has to play a wide variety of styles and get a...

Just record a piece, listen to it and make your mic position adjustments and try again, I think it's better to save the major eq decisions until mixdown anyway.

Ok, I didn't think too hard about that answer, but the Eon was definately the product that broke active stage monitors in a BIG way. What were the earlier ones, Meyers or something?

My default starting point is almost always halfway betweem the centre and the edge of the cone, about an inch off the grill cloth, mic pointing straight in.

Look around in the Studio Building forum for tips, you'll find a lot of info there. Firstly, sound proofing and taming acoustics are two completely different things, sound proofing is basically stopping sound from getting in or out of a room, usually by building double airtight walls with lots...

You want a board with at least 4 'post fader Auxillary sends'.

Havent listened to the clip, but if all your low end is disappearing it's a miswired cable or snake, basically two wires that shouldn't be touching are.

They were all passive up until a couple years ago when JBL brought out the Eon, since then just about everyone is making at least one model of active monitors, as a very rough rule of thumb If it's 'plastic' it's probably active (although they make passive versions of all the 'plastic' active...