When I see someone like Massive recommend a free plug I am compelled to try it and I have to say, Gclip is a wonderful little freebie for sure (as is most of GVST's stuff I've tried before. I overlooked this little plug mostly because the name made me think of distortion). I also believe the OP...
The best way would, of course, be to use XLR or TRS if your interface has the outs for them. You can also use 1/4" or RCA. 1/4" and RCA will be fine as well but, bare in mind, with 1/4" and RCA connections you are more susceptible to unwanted interference. Most of the time it isn't an issue...
ns10's are pretty terrible. All high mids and no bottom or top (like mixing on an amplified clock radio). People used to use them because the consensus was that if you could make a mix sound good on them it would sound good on anything. I guess they will be ok if you are actually going for retro...
Did anyone address that he is using a multi-band with both L2 and L316 together?
If you like the final mix and don't wanna shell out for pro mastering just hit it with a touch of L2 enough to bring up the level without killing the punch and be done with it.
Yeah...good range is generally defined as the ability to cover 3 or more octaves and he kind of stays in his own space. Probably why he sounds "powerful" as you say. He's staying in a place that's comfortable for him.
I use 512bit float. It's a new thing. The CIA shared it with me in exchange for leading them to Bin Laden. The rest of you "civilians" will get to use it sometime in 2032. My ears are so awesome I can hear the difference between 24bit and 23.5bit on an ipod in traffic though.
A tracker is a type of sequencer. In their most simple forms, there is a grid like representation of time called a pattern editor and the software scrolls down this grid and triggers samples/instruments...ect at the pitch (playback rate) selected.
Tracker (music software) - Wikipedia, the free...
I always use LB-Mastering studios for my death metal needs. I'd give you a sample but he made me sign a contract that I will never release any of my work......ever.
You cant deny it can you? You aren't really an engineer. You worked for 30 years aye? I hope you are really just some teenaged punk making up shit. The alternative is even more sad.
You have nothing to show to back up your claims that you are this uber awesome pro mastering wizard. I seriously doubt I need your "services". Considering your poor demeanor, your lack of professionalism, and questionable language skills I think the only mastering you should be doing before any...