move cabnet about four feet in the air then a 57 towards center
but at an angle after you find the sweet spot on the sweetest
speaker, depending on the room and the sound you are looking for maybe put some baffals around the amp to get less room sound or not. If your trying to get the heavy...
if you have that big a problem try using effects ala the band skinny puppy.
distortion/Flange and choruss/ something to take you away from the fact theres a problem with the singer. a great pre will just make the nasel sound more clear.
one more thing.
I am thinking about getting eather a Drawmer 1960 or a
Avalon VT 737 there both Comp and Pre or would my better
choice be getting a Distresser and the greatriver??
Choices, It would be nice to just be able to test them on my gear
all Digital, Dm24 to Da78 and two Da38s
I would raise the amp off the floor three to four feet, you really
only need to use 1 mic on the amp it self and may be a mic four to whatever feet away of your choosing to help get a room sound if thats what your looking for. having two mics on the amp can work but is'nt necessary also be...
Thanks for the reply.
All I have right now is DBX 586 Dual ch tube pre, its its not the small single ch rack space unit but the two space unit.
they were going for about $600 when I bought mine a few years ago
I am ready to step up to something much better and I thought maybe getting something...
I have never used the Avalon's but my question is how does the pre in the VT737 compared with the 2022 who does it stand up
and how good is the comp in the VT737
I have the AKG D112 and the ATM 25 But I bought a EV N/D 868
that I Love as much as the D112 if not more for some applications
I now have been using the ATM 25 for the floor tom and the
Audio technica AE 3000's for my toms ( very good sound)
about compression. you really do need a stable...
I also liked the 2nd better, where did you put the kick mic like how far in the drum also may be try and put it in at least halfway
or a little farther facing a little off center then put a blanket over the front of the kick this will keep the atm 25 from picking up the cymbles keeping it more...
I also agree that when playing ghost notes gating can be touchy
You may need to ask the drummer to move the high hat a little
bit further away also some thing that sounds strange but can work is taking a winter hat and puting it over a popper stopper and getting it between the hat and snare as...
I also agree that when playing ghost notes gating can be touchy
You may need to ask the drummer to move the high hat a little
bit further away also some thing that sounds strange but can work is taking a winter hat and puting it over a popper stopper and getting it between the hat and snare as...