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^ uggghhhh Its only Windows blast

Im sold Im downloading it now

This is what I was asking bout at this point when your bussing mono to stereo sub bus I am assuming your panned HL and HR for say drums. But where are you panned if you sub bus your vocals HL and HR or 50-50?

but the panning is different when you have a stereo track cause you can pan each side (L&R) differently. I am asking at this point when vocals are drums are sent to a bus how do yall pan yalls sub bus.

HRmusic90 when you said wishbone I was thinking more Q size then bell curves. if its a wish bone its the actual size of the band narrow or wide. Moresound is right tho

I do like focusrite but I dont own one. I have an Apogee ONE & a Duet. i feel Apogee makes better products

I wanted to ask how you guys pan lead vox. Im in pro tools, I send lead channel (mono) to a stereo channel my stereo channel is panned hard left hard right so 100 each way. Been doin it this way for a while. What do you guys do? weather you do it the same way or you dont bus lead to stereo track...

Hey RAMI you should make a plugin that can take the dough out of the cake after its already been baked. Call it Re-Bake :thumbs up:

Thinking the same thing

Ugghh DOWN WITH IZOTOPE! To many artifacts on certain tools. Plus why not setup your own chain with your own plugs. I have yet to see Izotope in any pro mastering houses dont think I will either.

:thumbs up: Thats it select "interleave" as the file type when bouncing to disk. Also you might have to do it when the session was first set up.

Just buy a mac

Hey guys got it figured out

Trying to get Pro Tools & Tascam to communicate is a doozy :drunk: You should try and set your I/O in setup. Sometimes you have to create paths when you have certain interfaces and also make sure your Tascam is coming up on windows audio preferences and make sure your input & output are going...

You should look at the focusrite as far as interface goes

I know I have been over seas and they have different terms than we do. Also with the side/parallel...Thing is if setup properly Side-Chain Compression and Parallel Compression is not the same thing. Side Chain attenuation is effected by an external signal like mentioned before. Parallel...

I come across this problem the most lol yep!

Before I got to this post I read MrWrenchy's post like 6 times over and over and tried my best to make sense of it lol thinking...maybe this is just something new I dont know bout...:laughings: I was wrong, Thank god! lol

Keem, to make it suuupper simple take this approach. -Mute everything -turn on just kick, lower kick till the signal hits at -10 (not the fader but the actual signal) use a trim plugin if you have to. -Once you have the kick signal at -10 then select the snare and adjust to taste according to...

Stick to it you actually taking the first step now by reading a book all the mistakes in the past do not count.