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ok...It's not taming them. But the fact that a pre acts slower just helps on the peaks.. On analog it wasn't such a big deal. With digital of course it's faster. I'm not saying you can't clip your converter or get peaks...Anything to loud is to loud. But pres respond different. Like I mix with...

Yes...Sometimes I'll use a very fast limit..(sometimes) When you limit it's only grabbing the sent threshold. where compressing will be working most of the time. Yes pre can change peaks..I don't see how you don't understand that. Try recording a snare with a faster pre like GML or something...

Well...I wouldn't compress anything if you don't have to. I do not agree on not overheads. If you have a decent comp. Even an RNC you can put it on overheads..But I'm talking more like limiting then anything and I mean light. Just to help with peaks..OH's tend to peak more. I posted in another...

Fat I do mostly rock...I wouldn't call any of my pres dirty..That sounds ugly to me. I would call them colorfull.. The 1272 can work on overheads depends on the drums and the drummer. Sometimes the 1272 is to soft sounding. Okay a basic rock setup for me lately. (this changes..but this is...

Mixing.. I have a rule....No one there while i'm getting the mix together. People never shut the hell up...I have a lobby but they have to leave in the control room... So I do mixes with out... They come in and listen once I have something together. But the last God...can't even remember 5...

Funny...We aren't far off. 3,000sq ft commercial warehouse circa 1887.

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