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Thanks Dudes, I'm 99.9% sure one is Master, the other Slave. What frame rate should it be set at? I'll re-check next time I'm at the machines. I'm busy with "life" right now, but thanks much for your help. I let you know what I find out- AND PROBABLY BEG FOR MORE HELP! Also, does it matter...

I set one to Master, run the midi cable "out" to the "in" of the slave machine. When I hit "play" on the master machine, the slave machine doesn't start. Any help out there? Titanship

Re: Re: Question: Ok. Problem I have is this: I have NO IDEA of the BASIC equipment needed to do this. Can you recommend a program that would explain all the wires/hardware needed to pull it off? Thanks. titan

Question: Can you use one FD-8, and using the virtual tracks, dump to computer, then end up with more than 8 tracks? titan

Thanks Reel. That sounds like it makes sense. I'll try it when I get my other fd-8. titan

Perhaps I confused you Reel, Thanks for your reply. I know the mixer section is analog. What I mean't in my question is: If I have 2 machines linked together, how do I get the output of the 2 machines(fd-8's) to the input of 1 machine (marantz cd recorder)? You dig? titan

Configuring output?? When linking to machines, during regular recording/playback, how do you aquire the output of both machines? Likewise, how do you get a digital mix? How do you route both signals to one DAT or CD recorder? Titan

Thanks JR, Do you use an FD-8? Titan

I want to link to FD-8's together, or and FD-8 and an FD-4. Any advise/do's/dont's to offer? Thanks for any response. Titan

It's over fellas. The real world has taken over, the dream has ended- FOR NOW. Most of my 5 month old gear is on the block at EBAY. Alesis HD24 Lexicon MPX200 Samson Q5 Headphone Amp Boss GT6 Guitar Processor Search my user name kjmar3 to check it out. thanks, titan

I have the SR-16. I'm an x-drummer, turned guitarist. You ARE hosed. Only lately have I learned which samples work best for ME. Basically, don't use any with reverb, unless you like it, or have a limited amount of "effects" options. Good luck. titan

All you guys are right, from what little I've tried it. "You have to have it loud enough in your headphones to keep the beat and keep the timing "electronic" which is not natural for a human player." Right drstawl. Loud is a huge help- and absolutely necessary. "If you have the individual...

I'm wanting to overdub snare on some tunes. I want to use (keep) the kick from the original drum machine patterns. Actually, I'll be overdubbing toms and cymbals too. I'll probably do snare/toms together, then come back with cymbals. I've tried this before and gave up because my timing sucked...

Ahh, I see. So, really, when I'm mixing, I should only use my effects "post." Unless I want to fade down, leaving only the effect in the mix. Thanks DeadMan titan

I know I'm missing a fundamental concept on this. But, for what applications would I want to use pre or post? Titan

I love the hd-24. I use the Mackie SR-24 board. It's (mackie) really for live sound, but it works for my applications- and was cost effective. titan

Mask, All the reviews I read led me to the Alesis- I've had it 1 month. So far I love it. Titan

If you have enough tracks to spare, I would leave them seperate. That way you can either pan them both middle- or pan differently. That might give a neat effect. Of course, if it's the lead vocal, you probably won't want one in the middle, and one to the left or right. Also, if on seperate...

I'm analog- Mackie 24x4. Actually, I've heard the board is for live sound, not the studio. Im beginning to see why now. I thought it was the least expensive way to be able to mix 24 tracks. I mean, I think the Mackie at least sounds pretty good. No, I've never had a seperate eq. I've recently...

So, is "THE FINALIZER" the name of a certain product/brand? Or, is that a generic term? thanks, titan peace