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Thanks, Skippy - appreciate the info, though I'm not sure I'm up to doing all the stuff you did. Aside from all the acoustic damping, how much of a reduction in noise do you imagine you got by swapping out the fan for a larger one? That would be a relatively easy fix. Gelon

D1624 Glad that worked out for you guys...I was feelin' guilty when I picked up a D1624 for $899 from MF. Yeah, they're doing the right thing. Can't say the same for zZounds, though, as I've had some recent problems with them on ordering gear (long story...). Really like the machine - awesome...

Anyone have any experience on starting up your own publishing company? Doesn't seem like it should be that difficult...What's the scoop, how's it done? Online resources? Thanks, G.

Tryin' to make up my mind about whether to get a pair of PS6's or 20/20 bas's. I know the bass response will be better on the 20/20, but I'm not sure I need the additional wattage. I read somewhere that you should have at least 125w on the bass side (amp-wise), so I'm leaning toward the 20/20's...

You might have to contact the publishers directly. Or check with ASCAP.

Euro Blues I'm working over here, and though I don't know what effect the new currency's had on Behringer prices, I can tell you that it's not good for players. Even though the rate was fixed years ago, as already pointed out, prices are being rounded up. And wages paid to musicians are rounded...

Schoenberg You may have a problem with Schoenberg, as I believe he died in the 50's and his kids are probably still collecting royalties. His publisher was Universal Edition in Vienna for most of his work. The later stuff, when he lived in LA, was published in the US (Schirmer, I believe, so...

Anyone have any experience with the newer mixers, studio 24 and 32? I'd be interested to hear how they are. Reviews on the 32 I've read are positive. How are the pre's; any cross-talk problems?

Skippy, What's up with the "ghost" tracks on these machines? Are they like virtual tracks held in memory, during a session, from which you can comp tracks (vocals, guit solos, etc.), and can you bounce them down to one of the "real" tracks? Are there any limitations as to size (memory dictated)...

Great. That's basically the way I was looking at it as well, as a tool to lay down tracks for later editing, at gigs, or wherever, so I appreciate hearing what you're doing with it. Thanks again, very much, for taking the time to answer my questions. All the best. Gelon

Thanks, Skippy, for taking the time for your detailed answer! So, if I'm dumping via lightpipe to a sound card, it really doesn't matter, as the files would be written to the software on the Mac (or PC), is that correct? And the best backup would be straight to the Mac (but later backup from the...

I've got two questions, really. First, I'm thinking about buying a D824, 'cause it's portable and has features I think would be useful (and the price is relatively low now). Anyone have any experience with the machine, and what's good/bad about it. Second, I've noticed it records .wav files...