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A simple way would be adding a bus for the track and route the channel to that bus and use the channel slider for gain/signal level to the new bus and set up the plugins for that channel on the bus strip. In reality it doesn't really matter what level the tracks are its how you work with them...

I didn't even jack with clicking on that. I just gave my recommendations.

OldSkoolVerb by Voxengo is actually one of the best verb plugs plus its free. I have to say its like a classic lexicon but a little cleaner like an eventide.

I would see if CB7 with its updates worked better (which it probably will since these programs run better on newer machines). But sometimes redoing them opens more options such as changing composition choices too. But anything you do, you should always render the midi tracks to wav tracks in the...

I'm thinking not. Probably wanting feedback from others too.

The Clarette is at least a standard circuit used for mic preamps compared to the scarlette. Its circuit is similar to their red preamp. Even though the best mic pre for dynamic mics is going to be a DC coupled mic preamp. Which no one has an interface like that (yet).

clarette series is the only decent usb interface Focusrite has to begin with. But lacks a well rounded software package so I wouldn't recommend it to someone starting out. Now I will go back to ignoring you Ecc83/Dave. Go figure out your mixer that you need to learn the concept of routing.

The room acoustics come into play, as well as positioning of the mic. As typically about 80% of the acoustic energy recorded is reflected sound. That is why some polar patterns don't work in some acoustical spaces in conjunction with the current mic recording/positioning technique.

The emperor has no clothes. Over the decades people built better mics for a lot less. The only thing that keeps these afloat is their marketing hype in the past because they used to be one of the few mics in existence. That was 6 decades ago. I laugh when I blind test mics and people get it wrong.

It reveals the expert skills you truly have.

Ok, currently, I would suggest a Avid MBOX Studio USB-C Audio Interface (currently comes with Protools perpectual liscense) https://www.sweetwater.com/store/detail/MBOXStudio--avid-mbox-studio-usb-c-audio-interface Slate Digital VMS ML-1 (with or without purchasing the U87 DSP profiles) ...

I would never recommend that garbage interface. To the OP, I got to go,to work, but I will return to give you a better solution than what others will post. Dr.T

I understand some people can't afford the ultra high end stuff. I know several musicians started with a simple mixer jacked into computer sound cards and didn't have problems. Problem I see is people using reviews which are paid opinions over people who had to deal with them over the years. But...

Oh now since I have time to comment on this video, its not a very good comparison because its the same mic preamp circuit so the difference parts used is the subtle difference. We have to look at what your generic Focusrite has for a mic preamp. Because its most likely not what is used in the...

Actually, my knowledge is quite great. I'm sure I could dig out computer schematics, even the apple one. In laptops if they are using a charger, it will hum regaudless if its an Apple or a mac. Macbooks use a power supply, PC laptops are shipped with a charger. Technically either one would need...

Well lets look at this in the scope of the thread starter. The person needs an interface and the instrument primarily used is a keyboard. First, why not get one that comes with a Keyboard software and sample libraries I guess if you have a full keyboard rig this wouldn't be as important but it...

This is what you do in that situation: use an Aux send from the vocal channel out as the dry signal output, and another channel for the wet signal from the master out on your personal mixer. That a way the FOH guy has a wet and dry channel and be able to control the overall wet mix as well as...

I remember those, it was one of those units people were distraught when Windows 7 came out and they didn't make 64 bit drivers for it. Only worked on a 32 bit OS unless they finally got around to writing a driver. Which I doubt it.

Latency is not a real issue if you operate the monitoring correctly and not monitor in the DAW. DAW monitoring is actually for high end low latency i/o. Unless you are trying to run this on a 15 year old computer, you not going to have issue in that department (if any).

yes in a lot of ways. The focusrite doesn't come with a decent software package and their mic preamps are not that good and not really compatible with dynamic mics as they have a tendency to be muddy and a EQ nightmare in some cases. I see musicians get better results jacking in a mixer into the...