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Real ones, yes.

That's just damn nice

The Behringer works for me

I use them for toms on a drum kit and a C-1000 on snare. Have for years. I swear by them in that application

I just buy. This followed me home

Use channels for effects returns. You essentially have 48 line inputs

If you aim a mic at the sound hole of a Martin style Dreadnaught, it's gonna "woof out". Personally I prefer an AT4033 aimed at the neck/body joint for that. Classical style guitars is another subject all together.

My new fav. Royer R10

I cobbled this one together. Its cool as a supplement to a mic on kick but it's a muddy mess on bass

I've used a D-112 on a bass cab. Also liked the tracks I got with a large diaphragm condensor in omni. Hell, a 57 would be OK

Sweet!

The player knows the difference

It ain't the sound. It's the "feel" that tube amps do and others don't

Those of us with a decent buzz are in sympathy with your faux pas

Acoustic guitars. While there is a bit of conventional wisdom, there are SO many variables. for instance I have two Martin Dreads and they sound totally different. And a Breedlove Read that sounds NOTHING like the Martins.

The majority of my amps are lower power (15 to 30 watts). I do use a Tube Screamer from time to time but usually just drive the amp. Above that is too much for me

Truly the Swiss Army Knife of guitars. I gigged a 71 Ash body forever. Deceptively wide range of tone possibilities. I have many.

The epiphany for my was it's all just storage. The mojo is in the approach. It's all in the front end.

A subject dear to my heart. I have a couple of combo's I have gravitated to over the years. I like a Royer R10 and a an MD441 or a SM57 I took the transformer out of. Only one mic? The Royer.