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As god as my witness, it was.

My son and I record as "The Meatles" (Mike and Mike Jr}. we have covered tons of Beatles stuff. I friggin love it

I was a little disturbed when you ended but I knew there was more.......

Pretty neat

Obviously several tracks going on which delivers a lot of that chorus but towards the end I do hear flanging. Hmmmm

This last weekend with friends just fooling around but it gives you an idea how the toms sound

Thick. I think they punch real nicely. My fav.

Still my go to set up.

I keep one at a friends home where we jam on weekends. What I love is they're stable. I can just turn it on and not worry about it for four hours. Then I just pull the drive and take it home to monkey with.

I record exclusively with an HD24. I have two. I use it not only as a stand alone recording platform but also as part of a "sound card" along witha MOTU 828es. No issues

I have several Dreads. A D-41, D-35 and a Breedlove. I do NOT have your issue with either of the Martins and am mystified by your problem. The Breedlove sounds nothing like the Martins and more tubby sound to it. Dreadnaughts are notoriously woofy with a mic near the sound hole but you're saying...

I've used Elixers but went back to GHS Bright Bronze. 12's by the way. On Martin D-35, D-41, 000-18 and a Grand Auditorium sized Taylor. For me it's that crisp tone that I feel records really well.

Drums is my favorite thing to track. The thing I've learned is how much the room matters and small spaces sound....small. The only times I was ever happy with room mics, the room was large. All my basement room mic experiences I didn't like. Your Mileage May Very.

Here's a cheap experiment. Take a Sm57 and point it at one of the side walls. Like twoo inches off the wall and crush it with a compressor.

I'd buy two RCA to 1/4" adaptors and call it a day

I believe that's a Mr Micrphone

Let me dig out my Complete Beatles book. I think I can figure out how many bounces equals tracks

Before I did a thing I'd do some recording and LISTEN hard to what you get. Don't try to fix what ain't broke.

Yer hittin the high spots.