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Repeatability and tweaking on request is where I get screwed

I run a hybrid thru an old M-3500

It can only help. I use gig bags, moving blankets, whatever's handy. Everything helps

Nice.

This is me this weekend at an arena in St Charles recording

I track with individual mic preamps to an Alesis HD24, then later transfer that to Reaper/computer for editing. Then playback thru a MOTU 828es, then back out thru the HD24 to a Tascam M-3500 for mixing. I can use plugins and hardware side by side in real time. Pretty cool.

Five total

My Hammond/Leslie

Now acoustic guitars.........money counts

I got lots of guitars. I think of them as "colors". Two things here. I have a few custom shop guitars and most of the other ones ain't cheap. Just because I like em. With that said most of the guitars I lean on for gigging and recording are at the mid point. My number one is an old Schecter PT...

A 441 many times. I'd love to try one

Seven on drums, one on guitar and three vocal mics. Then One bass and two keys DI inputs for a total of 13. At the low end (cost wise) a Behringer 1820 withan ADA 8000 yields 16 decent inputs

I basically just tight mic up everything and hit record. In some instances, I used floor monitors and no headphones and just went with it. Not bad result but no punch ins as bleed would give that away. For the most part I got everyone comfortable with headphones, put my amp in another room, bass...

Won't help anyone in an apartment but in my walk in basement I built a room within a room. The ONLY way I've personally found to keep me from bothering the neighbors and the neighbors from bothering me. It works

Something happens around 50 seconds in. Sounds like a splice or something

I suppose what I hear in 1073's is the transformers.

I'm still an HD24 guy. Simple and reliable

Drums and keys thru a UMC1820. Kind of a challenge not being in the same room

Also a wallet on the snare