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Well, that's the reason I suggested just enabling SMB1 on Windows 10. It's the simplest of all possible solutions. Whether your NAS drive would work (maintaining your data) plugged directly into a computer...I can't answer I'm afraid. If it's a single drive then raid wont be in play but there...

It sounds like you either need to make the Nas support SMB2 or make windows support SMB1. The latter is what I've described.

This might be the rare exception where following the link would have helped. :ROFLMAO: There are instructions for enabling SMB 1.0 in windows 10 that you can try. In Control Panel, select Programs and Features. Under Control Panel Home, select Turn Windows features on or off to open the...

I'd strike out the probably. The more recent m chips may leave the original M1 in the dust on paper but it's still an extremely solid chip. I'm still on the 4 year old M1 macbook air and can't imagine what I'd have to be doing, audio wise, to make me even consider an upgrade. At this stage I...

It's entirely possible the shortcut is different on MacOS. That should be documented somewhere. I'm afraid I don't know off the top of my head. Not sure if it's helpful or not but I want to select multiple sequential clips in the timeline, I use grabber tool, click the first / left most block...

Same as the old Todd. ;) Welcome, Todd.

I agree with this. Personally I'd pay the hundred bucks for a machine that's four years younger, has built in Wifi, and shouldn't have issues going to windows 11, but those things may not matter to you. The performance differences between the two machines is, in my opinion, negligible. The only...

Power/performance wise, there's no reason an SFF computer shouldn't do the job. As with any other computer, just be aware of the spec, CPU model number and quantity of ram. Don't fall in to the "oh, it's i5..that must be good" trap. Be sure of the model number of the CPU and find out where it...

Thanks for sharing the clip. The first thing I'll say is your singer is clipping at various points. A good example is the word "called" at around 0:26 - That harsh distorted sound you hear. Just dial the gain back on your audio interface until that doesn't happen any more. I think singing right...

Hi, Welcome to the forums! Of course you're seriously limited by the space, and you've done what you can there, but I notice you've got the microphone right up against the only wall area with no treatment. Is that where it stays when in use? If so I'd move it so there's lots of space behind...

This thread's got a million ideas back and forth now, and it's great to see so many people contributing, but I'm getting lost. ? I still feel there was some fundamental problem at the start - Not just preference...a fault. That may have been solved by now, I'm not sure. My gut says that either...

You're not wrong. You're just talking about polarity. Phase is a very different thing, even if manufacturers don't know that. ?

Not really, no. Audio processing and effects is done at line level so preamp comes first. Units combining preamp and effects or processing will work the same way internally. Usually what we do is have the performer perform as loud as they're going to and set the gain such that there's no...

I'd say a limiter is probably very useful for karaoke, maybe even essential, and most compressors can probably be dialed in so that they're limiting but that would be more for protection in the event that you get a real screamer or very hard plosives, mic drops, etc. Ideally the...

Microphones need to see a microphone preamplifier. Your mixer has two, behind its XLR inputs. The compressor and PA speakers expect line level so plugging a microphone directly into either is no good. Taking the inputs 1 and 2 (your microphones) out Aux and back into channels 3+4 is an option...

Poor Dave! ? It's a Kmise 6 channel USB The only link I could find was Amazon CA. https://www.amazon.ca/Channel-Kmise-Professional-Streaming-Podcasting/dp/B0DBLVQRSN?th=1

I'm not sure I follow but just for clarity, in case you don't know, with a straight up audio interface recording to a DAW, Input one on the interface presents as input 1 in the daw. Input two on the interface presents as input 2 in the daw. etc There's generally no confusion. 1 is 1, 2 is 2, 3...

Fair enough. Hopefully something else in the post is useful. (y)

Quite a lot of info in this thread so sorry if I'm overlapping with anything. The reason I asked if they were just audible or actually recorded down was to try to narrow down the source. I don't recall ever having clicks and pops that were committed to the recording, with one exception (later)...