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Chicago 25 or 6 to 4

A fantastic piece of work that involved creative songwriting, arranging, recording and mixing is Jimi Hendrix’s “Electric Ladyland”. To my knowledge that was all done on a 16 track machine. Yes, one may wonder what he could have done with some of today’s modern gear…. But that’s speculative...

It’s nice when the fix is simple. :D

Nice, but nothing in that room beats the coolness of that Frigidaire. (Pun intended) :D

I wonder if there’s construction forums where they argue about the best hammer to use. Or Makita versus Milwaukee. :D

Yeah that’s a little crazy. But who am I to judge what people do with their money. And there people out there with that kind of money to spend on hobbies. I know one guy who has over 100k invested in his model train set up in the garage.

Does seem to be geared to the well heeled audiophile. Say what you will, I think it’s cool that there’s enough demand to get a company to respond. Especially an iconic company.

This is the approach I would take. Also I’d find a small monitor other than the KRK. Something more neutral, I find the KRK to favor the bass much more.

I always enjoy your offerings. On this track what sticks out to me, as others have said, is the bottom end (or lack of). I’d also like to hear some of the background guitar fills to come up a tiny wee bit. They’re a little too much in the background.

Nothing wrong with opinions. Opinions are basically conclusions reached from observation. There are quite a few people here whose ‘Opinions’ are quite valid. Let’s not discount or diminish them.

Stuff like that happens all the time. A friend of mine knows Merle Haggard’s family. They gave him Merle’s console. If he wouldn’t have taken it, it would have ended up in the dump. An other friend of mine worked at a TV station. When they went digital they just gave away shitloads of audio...

What??? You don’t need anything other than your ears to ‘monitor eq’. Just turn your damn knobs on the amp till it sounds good. You’re complicating things to the point of being ridiculous. We’ve told you time and time again to stop complicating this. Do you heed any of our advice? Seems not...

At least this thread is finally fun again. :D MATGA. ( make all threads great again) ;-)

A tilted amp has other benefits. My room has concrete floors with some rugs i tilt my amps all the time. My studio has concrete floors with a few rugs. Sometimes a combo amp sitting flat on the floor sounds like I have a cabinet rattle. Throw a 2X4 under the front of the amp to tilt it back...

Oh geeez, now you’re make no me feel bad. Here’s some last advice. 1) practice 2) study. Watch as many videos as you can find on recording basics 3) learn your gear 4) don’t get complicated till you get the basics down. People here are very generous with their time and sharing wisdom, but...

I’m out. This is just a disaster of a thread. It’s like going down nto an ant hill. More twists and turns than a rabbit hole. No advice we give helps. And now we’re onto ‘maybe it’s the tubes’ Good grief. Peace out.

Ok. So answer this then. Does the recorded clean sound the way the amp actually sounds in the room?? Can you take a pic of the DS1 settings?

This must be frustrating for you. So here’s the basic question. In the room, does the amp sound good to you??? Yes or no?