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what should i get for overhead mics for heavy rock/metal???and why too?? thanks

is there a must for recording vocal with a large diaphram condenser, like the sm-58 for live vocals??? or, what types of vocal condensers do you recommend and why? thanks

say I have a few tracks recorded on a br-8, but they all have different types of reverb and panning, etc. etc...when i save onto my zip, does it save all the reverb settings and panning settings, or how do I get all those settings to be, when I go and put the song on my computer to master and...

for vocals, how would you rate and compare the three... an sm58, an sm57, a small diaphram condenser, and a large diaphram condenser, all with pop filters for male vocals??? Please give me comments about each...Thanks!

if i get a large diaphram mic, do i need like a pre amp or phantom power stuff...i know very little, so if you could give me some backround i would really appreciate it. For example, just to get the mic to pic up sound and carry it to my recorder, what do i need to have???

i have a volume pedal going into a boss tu-2 tuner, into a boss dd-5 delay, into a boss ds-1 distortion, into a ibanez cf-7 chorus, into a boss ph-2 phaser, into a digitech whammy, and then into a hot rod deville 410 if i set up the order differently, how would it affect my sound, im clueless...

should i go with the sennheiser ew172, or the shure ulxs14?? they both are true diversity, over 1000 frequencies, and UHF... the big thin though, is that the shure has that automatic frequency selector, does that really work?? or can i just get the sennheiser...how hard is it to pik out a...

if i plug my br-8 into the input jack on my computer, what recording software should i use????

how do you get multi tracks from a zip disk on a br-8 to your computer to master it? please can u give me some steps?