Search results

Crew… How does remuneration for radio airplay work in Europe? I received an inquiry from a Romanian DJ who hosts a 2 hour show highlighting jazz guitar instrumentals; & he discovered our CD online; & wants to spin a few tracks over the airwaves to Romania (& also into Hungary & Serbia.) I...

OK... I heard back from the copyright office. I had asked them how to go about copyrighting an entire CD release as a sound recording; & about the difference between an SR copyright & a "Phonorecord" copyright [looking at CDs from major acts; you'll find them copyrighted (usually under the...

What is up with this, man? My CD just came out. 4 years in the works...Sounds great. To sell it & keep the profit (i.e., not pay amazon 60% or CDbaby $4 each)...I have a PayPal button on the sales page of my website that links to a PayPal custom payment page. But the only shipping options...

Yo... Couple of years ago now I upgraded from a Roland JV-1010 to an XV-5050. I've never liked the damn thing. Why ??? The pianos all sound like they have the "birdies"...these weird upper beat frequencies that chirp & tweet & rattle around like pennies in an empty jar. Sometimes you want...

OK... In 2 weeks...boxes & boxes of new CD's will be rolling in from the replication plant; & I have a link on my website to my PayPal store for sales. Dumb Question: Do buyers of my CD have to pay sales tax...since it's an internet based purchase? If so...how does that work? Thanks, mark4man

OK...I'm not hearing clipping & I've got the output overloaded by 4 & 1/2 dB or more. Now...I've always been under the assumption that...for any DAW/audio editor...because of the floating point audio engine...clipping will not occur as long as the signal strength doesn’t exceed the headroom of...

Crew... In reviewing my masters (for approval) on different types of consumer audio systems (bookshelf, boom box, auto, audiophile, etc.), I dubbed the ref CDA to cassette tape...to be able to listen on my own personal car stereo. Not sure if this difference is synonymous w/ the specs of that...

Sorry to expand on chazba's thread, but... My ME uses a newish method for mastering that gets things louder without compression. He outputs the stereo files or stems via one world class D/A...pushing the output 'till it's at the brink of distortion...then backs it off a bit...& captures w/...

Crew... [Sorry to post another topic again so soon...but this one is related to the previous one...& this one may provide the key to solving an age old problem for me.] As discussed w/ various forum members...SONAR converts 16 & 24-Bit files to 32 FP the instant DSP comes into play...

Crew... Having what may be a problem in SONAR5. I open up 16-Bit, 44.1 kHz projects I created in SONAR XL 2.2, in v5; & in the Status Bar...the project's Sample Rate & Bit Depth read 44.1kHz, 24-bit. [This is true even when I first open SONAR5...with no project present.] Thinking that maybe...

Here's a tech question for all you mastering types out there: I am right smack in the middle of a process c/o bouncing track groups & comp sets from my 16-Bit projects (which have more than a fair amount of DSP goin' on...plug-ins, automation envelopes, level/gain changes, etc.) to 24-Bit...

Well... I thought this was promised in version 5...but it doesn't seem to work for my feeble efforts. I select a clip; & go to the copy dialog (Edit > Copy)...& I can't select Clip Automation without also selecting Events in Tracks. The help files give a weird explanation: So...I tried that...

The little diagonal, dog-eared button in the upper left-hand corner of the Track Title Header, in Track View... ...what the h_ll is it? Thanks, mark4man

Here's a question for all you "in-the-box" wizards... For a 16-Bit SONAR project, w/ plug-ins applied...will a real-time digital transfer (S/P DIF or ADAT) to an external hard disc recorder be identical to bouncing the project to a .wav file...or will it sound like the parent project? As...

People... Try & follow this...please: In SONAR XL2.2, where I track & mix, I'll have, for example, the guitar tracks routed to a sub bus (to apply plug-in processing to the entire bunch)...the vocals to a sub bus, etc., etc. In SONAR4, where I pre-master from...when I configure the same...

Crew... Anyone ever done a PCI Audio Interface shootout? Want to upgrade my AI after the release of my upcoming CD...want to stay with a PCI solution; & was wondering how, for example, the LynxTwo fared against the Delta 1010 (in both converter & overall sound quality)? You hear so much, it's...

Yo... I have this jazz rock tune that intros with drums, piano & voice synth for eight bars...then the bass & vocals drop in. When they do...& for the remainder of the song...I'm in the red a touch, so I've got UAD-1's Precision Limiter across the master bus for spikes. PL works great for...

Crew... Is there anything wrong with bouncing 16-Bit comps or sets to a 24-Bit file; & then opening them in a new 24-Bit project for mastering? (in much the same way that one would bounce to stems to take to a mastering session)? I know digital is all about numbers; & there shouldn't be any...

I'm bouncing all my SONAR 2.2 CD projects to .wav w/ SONAR4...'cause I like the functionality (& the sound) of having an input gain on the Vmains (so as to not hit a mastering limiter on the stereo bus so hard.) Now I think I have this right, but I just wanted to be extra sure... ...so...all...

People, Right now I'm running an Echo Audio Layla 24/96 thru SONAR on a Wintel system. If I up the ante & go to higher grade converters, I can go the Firewire route (e.g. RME Fireface 800, etc.)...the ADAT route...up to a mastering grade via AES/EBU, feeding into a 25 pin D-Sub from a mixing...