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if anyone wants to sell either a roland srv 330 or a lexicon mpx500 or any other lexicon in that price range, please email me. also looking for an akai s2000 or emu esi-32 sampler

can a kind soul kindly point me to a website that has a rhyming dictionary and a thesaurus thanks

A review (I'll see if I can find it) compared this preamplifier favorably to ones costing $2500. 2 channels with phantom power. It also has gain for ages and ages. Sounds sweet. $120 shipped Excellent condition. James HE posted a comparison between the dmp2, mackie, and an art unit, and...

As many of you know, Harvey gerst thinks very highly of this mic. Definitely comparable to a neumann tlm103 I have the m version which has special mogami cable in it. It sounds sweet. $130 shipped.

regulars here know how vocal I have been in my dislike of the Rode NTK. Now, I've heard a track that has changed my mind completely and I have to let you know, in case you were considering getting that mic. The post in Question is by Charger and can be found here...

Increasingly, I am seeing pro albums that say "recorded, mixed, and mastered by" x. and x is one and the same person. Of course, the albums sounds just as good as those that were done in three-five different studios. I also suspect that the recording,mixing and mastering engineers used the...

If anyone is interested in a trade for the two items, in immaculate condition I am looking for reverb boxes that have the name lexicon or roland srv 330 on it. I am also looking for samplers that have the name E-mu on them, though I might have to pay extra money for that. Also, anything that...

what would you want to trade for it?

I think this would be interesting to hear for those who have relatively flat mics. I tried this cable on my AT 4033 mic and it sounded like I was using some high eq or something. It really brought out more sizzle. Now I understand why buck62s mp3s have so much cleanliness and detail-because he...

About a year ago, I read a post from an engineer that it was rare to find a situation where the vocal needed no eq. Nowadays I hear people saying all the time that they dont need eq on their mics. What changed? Are we settling for less, or is it that what plugin eqs do to vocals is worse than...

Sorry sjoko2, I was warned , now I have to pay for it. I did this track with the Blueberry, and I can tell you first hand that it does not play nice with my sytek.It sounds like someone running fingernails across a board(I read that about a TLM103) I got an M-audio dmp2, but I have not tried it...

I need to expand my sonic palette, and I was wondering, what would be a good one for about $500 used. I would prefer it to have spdif i/o but it is not a determining factor.

can anyone recommend one for about $500 used prefferably with spdif i/o?

I hear a lot of people thrashing on this mic, but I dont get it, to me it sounds smooth, detailed and generally nice. What is it that you dont like about this mic on vox?

I know that one should warm up a tube mic for about an hour for best results. Does this hold true for solidstate preamps and mics, or can I just plug in cold and get equal results?

For a “big” vocal sound with maximum presence, Mount the mic on a boom stand, and tilt the capsule up (toward the forehead) for more projection and head tone, straight on at the mouth for maximum brightness and intelligibility, or down toward the chest for more robust lows and smoother highs...

does anyone remember when I considered either getting a budget mic now or waiting till the end of the semester for a mic I really liked? http://www.homerecording.com/bbs/showthread.php?threadid=32451&highlight=shure well, I got it. I'll tell you right now. I am so glad that I waited cos this...

This is the first rap beat that I made that cats actually liked, and rapped on. THis is the last vocal recording I am doing with my shure sm58. I'm getting two condensers next week. I am continually amazed at the improvement Iv got with sweet converters and a sweet preamp. THat and with 85dbs...

I found this today and I felt the urge to pass it on. If it only helps one person.... Anyhow, I never used auto input monitoring cos the latency was like a whole second and it was impossible to monitor vocals and music at the same time in the headphones, since the headphone amp is going out of...

these guys found that its easier to insert the compressor on the stereo mix once the basic balance is got than to wait till the end. http://www.recording.org/ubb/ultimatebb.php?ubb=get_topic&f=21&t=000299